The Narrowbacks:A Hot Surprise This Winter

The Narrowbacks:A Hot Surprise This Winter

nar·row·back /ˈnæroʊˌbæk/ [nar-oh-bak]
–noun Slang.
1. Disparaging. an Irish-American.
2. a person of slight build who is unfit for hard labor.

The brain child of a future banker and a drop out bartender, The Narrowbacks are a fresh voice for songs and stories old and new. After some late night sing songs, a couple whiskeys and a few lost jobs we came up with a young punk attitude that found itself running through the veins of an old time folk band.

If Joe Strummer, Shane MacGowan and Bruce Springsteen survived a drinking session through the 5 boroughs, the hangover would be called The Narrowbacks.

If you have devoted your life supporting Celtic music then you’ll know that the world never runs out of great talents. There will always be amazing bands from any time, any place. They just need a good channel to get exposed to enthusiasts.

Such is the case of The Narrowbacks from New York. For those who are not aware New York has offered us great bands since the 90s like the October Project and Black 47. There are more though they escape my fingertips as of the moment but yes, New York is an amazing place when it comes to unique bands. And the musical energy of the place is a big influenced to these musicians behind the band. They have their own eclectic styles and influences and they all bring it to the band. So what you get is music that seems to come from many sources yet so distinct and so exclusive to the Irish musical culture.

They are adept in performing old a new tunes but they have a knack for great arrangements that the old and new songs can sound as if they all came from the same era. When it comes to energy well, they have it all as all bands celebrating the spirit of Irish rock. Fans of Barleyjuice and Dropkick Murphy’s will love their style of music.

I really enjoyed listening to their songs especially the crowd rouser Paddy’s Field.

Check out the press release:

Releasing new single ‘Shannon’ Friday February 19th prior to album release in April!

If Joe Strummer, Shane MacGowan and Bruce Springsteen survived a drinking session through the five boroughs of New York City, the hangover would be called The Narrowbacks. The brainchild of a future banker and a bartender, The Narrowbacks are a fresh voice for songs and stories old and new.  The band is currently winning over audiences with their high energy set of tunes and over the top performances.  They have played gigs at notable venues such as The Stone Pony, Webster Hall and the Bowery Bal1room.  They have shared the stage with Flogging Molly, Black 47 and The Dropkick Murphys.  But maybe their most note worthy shows have been in support of The Ice Bucket Challenge, performing at many charity events to raise money for the cure of ALS and their dedication to the cause has helped fuel their notoriety and is taking them nationwide.

The band has been brewing on the East coast and developing their own unique style of ‘Celtic Rock’.  Not to be stuck in that genre the band can rock out with any of the best players out there.  Music writer Colleen Taylor of The Irish Echo says of the group, “Their music is literally and figuratively electric and it sounds best live… The Narrowbacks fill the need for a young Irish-America that knows how to rock.”   They receive constant rotation on radio stations such as WFUV in NYC and Sirius XM on Larry Kirwan’s ‘Celtic Crush.’

After a few years recording their own versions of traditional Irish and folk songs and anthems, the band will be releasing an album of all original tunes in April. To get a taste of the music they will be premiering a single called ‘Shannon’ on February 19th on iTunes.  Disc Jockey Bruce Swan of WPKN radio says, “The new single ‘Shannon’ from The Narrowbacks is classic storytelling, genre-bending and non-stop great.  If this is the start of what is yet to come, the new cd from The Narrowbacks will kill it.”

The band is gearing up for the St Patrick’s Day season with a March tour and show dates include March 16th at The House of Blues in Boston opening up for The Dropkick Murphys and March 17th at Webster Hall NYC.

The new single, ‘Shannon’, will be out on iTunes on Friday February 19th. We can send on an MP3 if you are interested for review and airplay.

For more information and full tour dates go to:

MEDIA CONTACT: Anita Daly / Daly Communications / 212 772 0852 /


Na Fianna: Leaving your comfort zone makes you better.

Na Fianna: Leaving your comfort zone makes you better.

Na Fianna: Celtic Rock, powerful  and contemporary take on songs old and new!

It is great to have an insider’s view of this interesting band that everyone is talking about. The band is Na Fianna from Ireland-which is also my spiritual home. They have several songs out via YouTube, various sites and social media. Better check them out because you don’t know what you are missing. And yes, they have great advice for their fellow musicians as on how to be in top shape, musically!Xd6cd1Ay.jpg

1. Congratulations for releasing the new exciting album called Unearthed. What’s the story behind the album’s title?

Thanks very much, it was hard work but thoroughly enjoyable to record. The title “Unearthed’ was chosen because it was perfect for where we were and what we were doing at the time. We were hidden away with all these musical ideas for a long time and it was time to unearth them to the world.

2. There are four of you : Ciaran, Hugh, James and Peter. Did you invite other artists to the recording sessions?

We had invited a drummer, ‘Binzer’, to collaborate with Peter in the percussion department to elaborate our ideas more in the songs. There also was our producer and musician Bill Shanley who we worked with to bring this sound out even more. He played some bass and guitar in the backline to collaborate with Ciarán in the strings department.

3. This album has a strong impact to many listeners. I noticed you have passionate and supportive fans especially in the social media! Do you have plans of putting up an ‘acoustic’ session and invite fans over, and have it filmed and released in video format?

That’s a good idea, we would love to do that. You know, we already have done an impromptu gig with such a setting in Boston and it was received very well. Nothing is impossible in the future. It reminds me of when Incubus did the Morning View Sessions. A great recording. We’re up for it.

4. The current single off the album is Toora Loora Lay . I noticed the strong rhythm right away, on top of the strong melody. Can you tell us a it about the recording of this song?

We wrote it in Pink Floyd’s Britannia Row Studios in London with friend and super talented songwriter Don Mescall. We sat down with ideas and put our heads together and wrote Toora Loora Lay. So we had a demo done from there, then we brought it to Bill Shanley’s Cauldron Studios. The song flowed so nicely it was quite fun to record but it was also intense as we knew the song had a shot at becoming iconic in the folk world.

5. Any plans to tour? Where’s your first stop?

We’ve had many mini tours and once off gigs in Europe and America so far. We have a great desire to tour a lot, but we want to record a little more material and spread our name throughout the world through social media etc. then we can tour in peace of mind that people will come see us. Saying that, we like to work fast and anything can happen so quickly. This year however, first stop is The Dubliner in Oslo, Norway. Follow our events on for more gigs and tours.

6. Bill Shanley produced this album. Can you tell us how it’s like working with him and his amazing talent?

Bill Shanley is an outrageous talent. We heard he is the best at guitar accompanying….and producing, we can swear wholeheartedly he is up there with the best in the world. Working with him in the studio at close quarters is an amazing experience. He’s always very calm and he has the best ideas to promote our own for the good of the song. His musical ear is phenomenal. If you’re out of tune by a minuscule, he will hear it. The whole process of working with such experience will stand to us forever more. We can’t wait to record with him again this year in Cauldron Studios.

7. Drunken Sailor is my personal favourite. It’s really fast. How do you guys manage to keep in top shape musically?

We keep in top shape musically because we are always playing music. We play small gigs in duets and solos every night and day in Dublin on top of Na Fianna rehearsals. Also we like to challenge ourselves as much as possible in each song. Leaving your comfort zone makes you better.

8. Your message to fans?

Our fans are the greatest in the world, no joke. We have loads more songs to give them this year and many years to come. We love this journey we’re on and they are with us every step of the way. Thank you kindly.

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Throw your music map and dive!

Throw your music map and dive!

In this edition: Eve Williams, Clan Suibhne, Dom Duff, Colin Nea, Connie Dover , Mark Harmer and Planxty.

It is 2013. Four years after I officially launched this site. In the past four years, I met a lot of talented musicians and listened to their amazing music. In the past four years I met interesting readers who turned out to be bloggers too. In the past four years I poured my heart out, experienced joy and at some point almost lost my sanity. But I never gave up blogging and maintaining this site. Despite the personal earthquakes I experienced in this life, this one seems to be left unscathed. This is my baby. This is my love. It’s been four years. And here’s The Celtic Music Fan looking forward to more discoveries, more mistakes, more success and more joy! Let the fun begin again.

Eve Williams-Twenty Miles from Home

New CD from UK based singer/songwriter Eve Williams

Think of the soft approach of Cara Dillon and  the vocal power of Evanescence.

It is always a great experience when I discover new music. This is only possible without a map. Personal maps obscure our chances of finding something new out there. Especially when we are so used to the formula we created and the comfort zone we find hard to let go. I wondered if this is the same thing that ran inside the mind of Eve Williams when she created Twenty Miles from Home.

It is an eclectic album full of  surprises wrapped in a blanket of atmosphere. There are things that are consistently noticeable in the midst of variety. All the twelve tracks are melodic. Her voice is superb and full bodied. She is also a writer which explains her interesting lyrics references to classical literature.

In my other blog friend who is a guest blogger wrote about Music Theory. I think we have to admit that people who make artfully crafted music are those who at least in some part of their musical development, had undergone music studies. The maintaining discipline  in creating and also in the performing part is probably hard because music is such an emotional medium. It is easy to get lost and let everything rip through.

Twenty Miles from Home strikes me as a balance of  emotion and control. It is also a recording done with minimalist approach to instruments. This gives us a chance to hear how Eve can showcase her vocal talents. I sometimes find it hard to listen to something overly produced because you have a lot of sounds coming from every direction. Which in turn makes it hard to concentrate to the few aspects. But this album proves to be something that even listeners with short attention span can feast in.

I realized that listening to different systems also yield different results. When I listened to this through a computer, it didn’t give me too much probably due to the speakers. Then I put it in a CD player with good speakers. And the experience was something else. The whole album shimmers. The headphones also give you that intimate feel which focuses more on the nuances . I suggest you listen to all types of

Singer Eve Williams

Eve Williams

players and see which works for you.

Twenty Miles from Home is a beautiful album. Oblivion is one track with full arrangements and soaring vocals along with Tall Dark Stranger. These are orchestrated tracks. But I love the contrast of the spare arrangement on others like Broken Dolls (feat Scarlett Burnside), The Rock (feat. Dominik Boncza-Skrzynecki) and many more. Eve Williams is based in County Down, Northern Ireland. It is probably the beautiful landscapes that shaped her sound and sentiments. It it an album that can appeal to lovers of Sinead O’Connor, Cara Dillon and Evanescence. The combination of folk simplicity and operatic flourishes in her songs makes her one of the rising voices in the Irish music scene.

Older recordings


Clan Suibhne Yank~Irish~Celtic Music Group‏

Clan Suibhne. Clan Suibhne They're Not Just a Band, They're a Clan

Clan Suibhne. Clan Suibhne They’re Not Just a Band, They’re a Clan

Their unique “Roots” music, dubbed “Greengrass,” is a blend of traditional Irish/Celtic meets American Folk/Bluegrass tunes.  “This genre existed long before the music we know as bluegrass. We were very surprised, but so honored to win an award for our music,” says Charles (C.W.) Farrell. The three Farrell brothers and cousin John Curran have become well known around the “Irish Riviera” for their signature style. They incorporate traditional instruments, including  the mandolin and banjo, into traditional Irish music.

Celtic music is a family affair. You can see this in bands like Clannad, The Corrs, The Rankins among others. It is no surprise when a lot of American Irish bands are consist of family members. Irish and Scottish music have grown into stellar proportions in the United States in the past few years. This is an exciting age to start your own Celtic band because even though you can’t find listeners in your hometown, you know that there is this whole wild world which is the Internet. There will always be  listeners for you out there!

Clan Suibhne (pronounced Sweeney)are a band based in New Jersey. They play acoustic music combining their Yank-Irish-Celtic Roots which they fondly mention in their website.  Like I mentioned, they are a family group, acoustic and fun. They do solo, duo, trio & quartet arrangements throughout the New Jersey, Pennsylvania, New York Tristate area.

This St Patrick’s Day 2013, they are scheduled to play at the Historical National Hotel in Frenchtown, NJ…and will be appearing at many other venues throughout the months of February, March and April 2013. Sounds like fun! Do check them out if you are in the area.


Connie Dover and what makes her amazing.

If you’ve been a listener since 1993(her debut album came out in 1991) and now it is 2013..surely there is something about Connie Dover. She is considered as one of the stalwarts in the Celtic genre. I think she is underrated considering the achievements she has. I don’t think I am totally biased when I say that being an American singer, she took such challenging steps in making sure she breaths authenticity in her every recording. Even to the point when she has to sing in Latin of Scots/Irish Gaelic.


Before going solo, Connie Dover fronted this Missouri based bluegrass group. She is one American singer I really respect because her music is based in hard research and she yes she sings in Gaelic.


Si Beag, Si Mhor

This composition by the famous Irish composer O’Carolan landed into facebook discussion with my friend Ralph who plays the tin whistle. I am so glad he raised this discussion up so I was able to do further research about the song. I discovered the other versions. There are many out there but I will just post two of them here. These are fine interpretations. I am crazy for uilleann pipes and that is why the one from Planxty appears in this edition. I am also a big fan of harp music specifically the Celtic harp. So let us get to know a wee bit more of this music.

Picture. Mark Harmer

Picture. Mark Harmer

In English it means: Little hill, big hill. It’s a reference to the fairy kingdoms.
It’s also translated as “it’s little, it’s big.”It’s sometimes titled “Sidhe Bheag, Sidhe Mhor” The tune is by Turlough O’Carolan (1670-1738). O’Carolan’s works were published by his son in 1747. According to this timeline “Si Bheag Si Mhor” was the first piece O’Carolan composed upon the completion of his harp apprenticeship (1691).

According to Ralph: “I think a closer translation is ‘big hill, little hill’. I’m pretty sure it has something to do with a war of fairy clans but I’d like to know how the story goes. Wanna know who owned w/c hill and who won in the end.” Here we have two versions. The first one by Planxty and the second one by Celtic harper Mark Harmer:

Note: An in depth research by harpist Scott Hoye suggested a new light to the trivia on top  . According to his source, Si Beg Si Mor is in fact a Scottish Tune, The Bonny Cuckoo. O’Carolan used the tune, made popular by the Ulster Scots, and wrote Irish lyrics for it. His poem was about the battle between two Faerie kingdoms. My big thanks to Scott for the info about this classic.


Babel Pow Wow by Dom Duff

Breton musician Dom Duff is working on a new album. He is requesting the help of Breton music enthusiasts to help fund this project. As I

Dom Duff Babel Pow Wow Proje

Dom Duff Babel Pow Wow Project

said  in a conversation with a musician that music is a community. You get what you give. Dom Duff is very passionate about the culture of Brittany and its people. He  was also one of our featured artists way back .

I chatted with him a few days ago. He was trying to put a video project to promote the album. This involves people speaking in their own dialects from all over the world. The video you see below is just one of the many he is trying to create between music session. This man in really busy these days!

Please check this one out:

More here:


Wonderful Review of trad album by Colin Nea

Fair play to Colin Nea on a great review from TradConnect-Enda Seery:

Colin Nea and Enda Seery are cousins. They are also very supportive of each others music projects. The proud Enda was posting and tweeting about this wonderful review of his album Between the Jigs & the Reels with Jack Talty on a piano. I haven’t talked to Colin Nea yet but I have exchanges several pleasant messages with Enda. He is also releasing an album this year and I am sure Colin is going to advertise it too. It is great to see trad music growing. It is composed of family relations jamming together or with other musicians. Like I’ve mentioned before: Irish music is a family affair.

Do You Really Listen?

 My essay about why we listen to music and the importance of the people behind the artist.

Gary Paczosa was Altan’s sound engineer for the album The Blue Idol(2002)

Dear readers. I have just finished my second cup of tea for the day. Would you care to join me for a little reflection? I have questions in mind. And I have conclusions of my own. How about yours? What’s your take on this article?

What makes listening to music fulfilling? Is it the speed of how the tune is being played? Is it accuracy? Technique? Style? We can go on and on rambling about what makes music interesting. I am sure we have our own sets of prejudices when it comes to other forms of music. Elitism after all exists in all forms of persuasions be it aesthetic, intellect or economic. We are snobs!

Jeff Wolpert: engineer, mixing, assistant producer for Loreena McKennitt albums and live recordings at work on her Mediterranean tour.

I think there are those who chose a particular form of genre based on the fact that very few listen to it so that makes it cool. Yes, it is the foundation of cool that keeps the business going round and round. Sometimes it is not so much on the beauty of the music than the fact that it is simply COOL to own such albums or listen to bands which your COOL friends approve of. Peer pressure?

I know I am not innocent. I have given up my biases years ago to put balance in this site. It is after all one half me, and the rest belongs to the people who contribute to the traffic of this site. Sometimes I feel my preferences are just one fourth of what this site is all about. Honestly, I also listen to other types of music. That is why I have a secondary blog which caters to indie musicians where genres like Rock, Electro and Jazz apply. But Celtic music was responsible in turning my world around which in turn gave birth to this site. Writing has been a source of joy for me.

Enya and Nicky Ryan inside old Aigle studio(picture from

Sometimes, miss the old days when I used to let people listen to my records to cite an example. I even went as far as making my own mix tapes so I can inject those recordings on buses and bars where people are found. And I can talk for hours how a particular note can gain different colors based on the effects that you put on a sound, making you travel inside the music and marvel at the wonders of the recording technology. I can write an essay how clarinets sound so good when played sonorously, gaining a haunting quality.

There are also times when I just listen to make me feel good at the end of the day. We all listen to music for different reasons. But I think the best music is that one where you always get satisfied in all aspects. Something that makes you think of how the arrangements of the instruments were done, the album artwork, the people who worked in the photography, the liner notes, the sound engineers, mixers and finally those who do the mastering process.

Richard Dodd: engineer and producer of The Magical Ring, the legendary album by the band Clannad

Have you ever wondered how the musicians and people involved in the album making worked hard in the studio to give you the finished product? Somehow these are things that got ignored in the world of fast mp3 downloads and not having too much time to REALLY listen. Do you really listen?

Bands Spotlight: Manran and Skerryvore

I heard Manran’s single “Latha Math” a few weeks ago and I have to admit it it has become addicting that my day isn’t complete without hearing it. Catchy vocals with driving beat and fresh arrangement you’d think that this has been carefully engineered. But it’s all about 6 friends reuniting together to create the most beautiful and exciting Scottish music around since Capercaillie.

The members of Mànran are

Norrie MacIver (guitar/vocals),

Gary Innes (accordion),

Ewen Henderson(fiddle/pipes),

Calum Stewart (flutes/uilleann pipes),

Ross Saunders (bass)

and Scott Mackay (drums).


A friend sent me a youtube link to Skerryvore’s Hold Me Tonight taken from the album of the same title.  The heartfelt lyrics and beautiful arrangement combine a mood that’s comforting, poignant and reflective. But aside from this wonderful ballad, they play an exciting blend of traditional Scottish music and Rock.  Everything about this group is pristine, beautiful and blazing like the golden sunset! Beautiful music to take with you, a soundtrack to your journey. This song is dedicated to my  piper friend Tim who stumbled upon the band and  introduced the music to us.


Daniel Gillespie: Accordion
Martin Gillespie: Highland Bagpipes. Scottish Small Pipes, Accordion
Alec Dalglish: Guitar, Vocals
Craig Espie: Fiddle
Fraser West: Percussion
Barry Caulfield: Bass

Additional Members:

Chris Pugh: Trombone, Piano
Douglas West: Trumpet, Guitar
Konrad Wiszniewski: Saxophone
Duncan J Nicholson: Bagpipes & Whistles


Dylan Cleghorn :”We’ve labeled ourselves as TEXAS CELTIC ROCK”(Interview)

Working with my dad is a great experience. I learn something from him every day. He is an amazing songwriter and an incredible guitar player. And we really have an uncanny ability to sit down together and make music! -Dylan Cleghorn

CLEGHORN are a Texas-based Celtic Rock duo. They combine stadium rock with blues and folk influences laced with a strong Celtic brew. 23-year-old violinist Dylan Cleghorn explains the music, life on the road with dad and the state of Celtic music in the United States.

Listening to CLEGHORN is like experiencing the power of  storm dust rising with hundreds of horses racing above it. It’s an immense sonic invasion-the pulsing sound of rock driven Celtic music. The robust and pristine sound of Dylan Cleghorn’s violin is wrapped up by pop rock’s heavy sound that approaches anthemic intensity. John Cleghorn on the other hand adds his own guitar rifts, and golden melodies- a man who knows what Texas rock is.

It should be noted that both of them have come  long way since the days they spent being part of the band Needfire. It was those days when they stirred up festivals with their own brand of Celtic rock. Dylan has been noted as a Charismatic performer who even went as far as going down the stage to play with the crowd during concerts. He is a natural crowd pleaser.

Now they are back with CLEGHORN sounding better and know what they want and how they want the musical direction to be. This is a new frontier and Dylan gets to talk to us to tell us more of what’s in store .



We have a sneak preview that is available for download .These songs are part of your upcoming CD. Tell us about the changes that happened musically for both you after Needfire.

The Needfire project was a great experiment that helped us grow in many ways – Both as songwriters and performers. And we haven’t abandoned those songs – we still include them in our current shows. But with this growth, CLEGHORN has a more refined sound. We are able to work harder and faster as a result of all we learned and we are having even more fun in the process. And personally, I think we are having more creativity now than we’ve ever had!

You and your dad are good in creating catchy Celtic influenced rock songs. How is the song writing process?

What a difficult question! We each write songs on our own, however the majority of the songs we are including with CLEGHORN have parts written from both of us. The songwriting process generally starts with my dad bringing words and a melody to me and asking me, “What kind of fiddle part would you play with this?” However, many times I also bring a fiddle riff or a song to him and say, “Dad, listen to this! What can you add to this?” There is no single process, but we certainly work as a team!

9 minutes of Woo, the first track is actually 9 minutes of bliss! What made you decide to creat this 9-minute symphonic instrumental?

Almost immediately after my dad and I arranged this piece we knew it was special. 9 Minutes of Woo had its origins in late 2005 and 2006. It’s a great story. The two of us were sitting on the couch watching Monday Night Football. My dad picked up a guitar and was fooling around with a few chords when he asked me to grab my fiddle. We soon muted the TV as magic was in the room. All of the ideas we had been working suddenly seemed to flow together perfectly! The CLEGHORN recording is the same arrangement and music/chord structure from that night. 9 Minutes of Woo is about 50/50 traditional Celtic melodies and original melodies written by myself. The guitar music and chord structure is 100% original by my dad.

Tell me about your instrumental influences. Your playing is like no other. It is rich, pristine and soaring. Tell us about the secret of your style..

I can credit my violin influences to two people.

The first is Joshua Bell. He is a modern classical violinist. Before I played violin, I played viola in the High School Orchestra. Around this time I stumbled upon Joshua Bell’s PBS special “Live from Lincoln Center..” This was my first vision of how the violin (or perhaps, the violinist) can demand attention though his performance.

In the first few months that I started playing fiddle and Celtic music, I was given Ashley MacIsaac’s CD “Hi How are You Today?” This CD changed me completely. It opened my eyes as to how the fiddle (or perhaps, the fiddler) can rock while still maintaining it’s great tone and orchestral qualities. My fiddle style and recording process is greatly influenced by Ashley. I’ve actually had the pleasure of meeting him since, and we exchanged emails from time to time – which is a great honor for me!

I wouldn’t know how to describe it, but I feel that I’ve been able to mold my own distinct style and sound. And my original tunes seem to naturally create a unique sound by themselves. But I would not be where I am today without these two influences.

How is it like working with your father who is also your band mate?

Working with my dad is a great experience. I learn something from him every day. He is an amazing songwriter and an incredible guitar player. And we really have an uncanny ability to sit down together and make music! We played a show today and I thought to myself, “What a great blessing it is to share the stage with my dad.” When we’re on stage together everything ‘clicks’ and we both are able to let loose and have fun. Our fans respond to that and let loose with us! It’s a blast, and I think this is one of the hallmarks of CLEGHORN.

Tell us what to expect on the new CD you are both working on

We’ve labeled ourselves as TEXAS CELTIC ROCK. We have an undeniable Celtic influence. But we are also a Texas band, and with that comes an unavoidable blues and Texas country rock feel. From traditional to original, acoustic to rock, we do it all. The new CLEGHORN CD will highlight all of these influences.

What is the state of Celtic music in the United States?

The Celtic music scene is still somewhat ‘underground’ in the United States. But its presence is growing! Hopefully CLEGHORN will be a catalyst in its growth and success.

What’s the best thing about performing live/recording an album.

The two are very different. Performing live is all about having fun. We are fortunate to have a great band that supports our live shows. We rehearse to be prepared for each show. Music is our passion and when we are on stage, performing our arrangements and original songs, there is perhaps no greater feeling. Of course, without an audience there is little purpose to play live. We seek to create an intimate feel with the audience regardless of the venue. This creates an emotion that is enjoyed by all.

The studio is where we really open ourselves to creativity. Many times we will have a song all worked up before going into the studio. But sometimes we walk into the studio and let inspiration lead us. We have our instruments in our hands and we never know what product we will have at the end of the day. We’ve surprised ourselves many times with the results of our studio sessions! Recording the new CLEGHORN CD has been especially rewarding because my dad and I are the only two musicians on the recordings (the two of us performed every instrument). It has been a great opportunity to grow as multi-instrumentalists.

A friend who lives in Lyon France introduced me to your band’s link! Your fan base is growing really fast. Do you plan touring outside the United States?

CLEGHORN is a new project. We have been amazed at the quick success that we are having. We are hopeful to have many U.S. tour dates on the calendar soon. We are certainly open to perform international tours as we establish ourselves and continue to grow. We urge everyone who is a CLEGHORN fan to spread the word to friends and family. If you would like CLEGHORN to perform at a festival or event near where you live, please be vocal and contact that event’s staff! You may also send the event website and details to our booking team ( and they will look into negotiating the event!

The Whole Of The Moon(two versions with lyrics)

Today I have been listening to The Whole Of The Moon– two versions repeatedly. Someone posted this in Twitter and before I knew it I was hooked going back and forth like what you do in a seesaw. It s a boring Monday and I have been doing paper works with that song in the background. Oh and I have to tell you I am doing this on a break-not during work.

There’s something about the lyrics that captivated my imagination. It’s originally done by The Waterboys in 1985 from the album This Is The Sea. In the early 90’s, Irish singer Terry Reid covered this.  Enya collaborated with him on this track providing backing vocals and keyboards.

The Whole Of The Moon lyrics
Songwriters: Scott, Michael;

I pictured a rainbow, you held it in your hands
I had flashes but you saw then plan
I wandered out in the world for years while you just stayed in your room
I saw the crescent, you saw the whole of the moon
The whole of the moon

You were there in the turnstiles with the wind at your heels
You stretched for the starts and you know how it feels
To reach too high, too far, too soon
You saw the whole of the moon

I was grounded while you filled the skies
I was dumbfounded by truth, you cut through lies
I saw the rain dirty valley, you saw Brigadoon
I saw the crescent, you saw the whole of the moon

I spoke about wings you just flew
I wondered I guessed and I tried, you just knew
I sighed and you swooned
[ From: ]
I saw the crescent, you saw the whole of the moon
The whole of the moon

With a torch in your pocket and the wind at your heels
You climbed on the ladder and you know how it feels
To get too high, too far, too soon
You saw the whole of the moon, the whole of the moon, hey yeah

Unicorns and cannonballs, palaces and piers
Trumpets, towers and tenements, wide oceans full of tears
Flags, rags, ferryboats, scimitars and scarves
Every precious dream and vision underneath the stars

Yes, you climbed on the ladder with the wind in your sails
You came like a comet, blazing your trail
Too high, too far, too soon
You saw the whole of the moon

Oh, how [Incomprehensible] did you see the whole of the moon


According to GrecoCelt: On a less speculative note, Mike Scott (The Singer/Songwriter/Guitarist/Pianist of the Waterboys) has said that the song’s subject is “a composite of many people”, including C.S. Lewis.

from Song Meanings website.


If you are in Cornwall and looking for a place to hang out for some Celtic music, then try Rule 7 Bar try this link for a complete info:


Now for some Scottish Puirt a Beul is Sileas.


Fisherman’s Friends from Port Isaac Cornwall will receive BBC Radio 2 Folk Award for Good Tradition .


Once known as a safe haven for fishermen and sailors on the merciless north Cornish coast, Port Isaac, with its typical whitewashed cottages and cobbled lanes, is now a place more recognisable as the setting for television dramas such as Doc Martin and films such as Nigel Cole’s Saving Grace.

However, the Fisherman’s Friends have proved that home-grown talent can grab the headlines, too. The choir, who have sung together for 16 years, first came to critical attention when they released their first album, Port Isaac’s Fisherman’s Friends, on Universal Records at the end of April 2010. Since then, they have performed at Glastonbury, the Cambridge Folk Festival, the Royal Festival Hall, Union Chapel and, slightly closer to home, the Boardmasters Festival in Newquay and the Falmouth Sea Shanty Festival.

Highland by Blackmore’s Night from the New Album

Highland by Blackmore’s Night from the New Album

Those who love the beauty of British folk will have no second thoughts from savouring this track from this wonderful band whose roots go back to the 70’s.  Those who love the music that I featured in this site will surely love this release as well. After all, don’t we all love the essence of “Ren and Rock”? Read more on the press release for this wonderful duo of husband and wife team up.

NEW RELEASE DATE) Spinefarm Records to Release Blackmore’s Night’s ‘Autumn Sky’ In The US January 18th, New Song Streaming Now

BLACKMORE’S NIGHT, the group featuring husband and wife Richie Blackmore and Candice Night, will be releasing their new album Autumn Sky on January 18th. With a career spanning nearly two decades, the band of minstrels has gained crossover success all over the world with its new genre of “Ren and Rock” music. The lyrics, written by award winning singer/songwriter Candice Night, are inspired by nature and the myths and fairy tales they encounter on their international travels. The melodies, composed and arranged by Grammy nominated Ritchie Blackmore, encompass musical structure and the essence of melodies from the early 1600s. And then they are “Blackmore-ized.” Blackmore’s Night’s last album, Secret Voyage, debuted at #1 on the Billboard New Age Chart and held that spot for four consecutive weeks. 

In addition to being known from their unique sound which combines traditional as well as modern day instruments (including electric and acoustic guitars, keyboards, violins, shawms, chanters etc), and Candice’s enchanting lyrics and vocals, they are also known for their fabulous live shows, many of which have been performed at castles and other exceptional venues that add to the mystique and warmth of their performance. Blackmore’s Night has appeared nationwide on PBS and Discovery channel specials, and has been awarded the Best Album of the Year and Best Vocal Album of the year by NPR New Age Reporter for their past 7 studio CDs.

Autumn Sky brings us 14 new Blackmore’s Night songs, plus a cover of “Celluloid Heroes” from The Kinks. Recorded during Candice’s pregnancy, Candice and Ritchie have dedicated the Autumn Sky album to their newly born daughter Autumn Esmerelda Blackmore.

Listen to “Highland” from Autumn Sky here:


The BibleCode Sundays :Refreshing!


Melodic, Alternative, London Pub Rock and Totally Irish!

It is a lazy Sunday. I want to make a bit of noise. And I want to represent this band. The BibleCode Sundays:Ah, great sound, beautiful album and interesting members.

Ghost Of Our Pasts is an album of party vibes in an Irish sense-they are composed both of English and Irish members. From the first track Dockside Lullabies up to the last track McBratney From The Kitchen, you will be guaranteed of the fun this lads will bring into your living room with your speakers tuned to a high volume.

There are jigs interlaced with alternative rock guitars and vocals sounding like a cross between Chris Isaak and Tony Hadley(of Spandau Ballet). If you are into 80′s and 90′s Alternative Rock and appreciate Irish music in between then this will make your Sundays.

Dockside Lullabies
Lyrics by Ronan MacManus

I hear you knocking but you can’t come in
Don’t tell ‘em where you live you gotta shed your skin
Liverpool echoes to the sound of drums
& if you wanna work then don’t sing your songs
Dockside lullabies (too ra loo ra)
Dockside lullabies (too ra loo ra)
Dockside lullabies (too ra loo ra)
Dockside lullabies in my head
Walking down the dockside you could be walking through the Bogside
Change your name, play the game, don’t get on the wrong side
Liverpool echoes to the sound of drums
You’re staring down the barrel of a Thompson Gun
Dockside lullabies (too ra loo ra)
Dockside lullabies (too ra loo ra)
Dockside lullabies (too ra loo ra)
Dockside lullabies in my head
Liverpool echoes to the sound of drums
Keep your face hidden when the boss man comes
Dockside lullabies (too ra loo ra)
Dockside lullabies (too ra loo ra)
Dockside lullabies (too ra loo ra)
Dockside lullabies in my head
Dockside lullabies (too ra loo ra)
Dockside lullabies (too ra loo ra)
Dockside lullabies (too ra loo ra)

Buy the album here:

Sahara:Soulful and Uplifting Sound from Australia.

One of the great success stories of the Australian music scene.

When you are needing something to spice up you morning cappuccino, or a companion to your Earl Grey tea at night Sahara is the perfect music for your best moments. With musicianship that has been distilled by time and space, you are an audience to the best duo  in this music category. Dave Long has one of the rare gorgeous male vocals in the tradition of Sting and Steve Winwood. I swear I could go on for hours and hours being hypnotized by tracks like  No Man’s Land, Higher Than High, and Make My Day.  I’m sure no one would question Trish long’s expertise with the sax and other instruments apart from the fact that she has a voice that could rival Celine Dion’s yet has the Irish gorgeousness.

According to their bio:

Sahara is the award winning singer/songwriter team Trish and Dave Long who met in their hometown Dublin in the eighties before migrating to Australia where they have toured extensively performing to sell out audiences. Before leaving Ireland they had performed in many of Dublin’s music venues eg. The Baggot Inn, The Meeting Place, Slattery’s, Dame Tavern and Trinity College, and alongside some of the Irish household names such as Brendan Grace, Red Hurley, Linda Martin, Errol Walsh, Freddie White, Declan Sinnott and Kieran Halpin.

I hear traces of  Van Morrison, Bruce Hornsby and Traffic. If you love something that teeters between classic folk/rock, Celtic and jazz then Sahara is a perfect soundtrack.
Trish Long: Sax, Vocals, Flute, Flageolet ,Recorder & Sequencing.
Dave Long: Vocals, Guitar, Keyboards & Sequencing.