Enter The Haggis On The Road Interview

Enter The Haggis On The Road Interview


Brian Buchanan: Vocals, Fiddle, Keyboards, Acoustic Guitar, Electric Guitar

Craig Downie: Vocals, Highland Bagpipes, Trumpet, Harmonica, Whistle,
Acoustic Guitar, Bells

Trevor Lewington: Vocals, Acoustic Guitar, Electric Guitar, Octave Mandolin, Keyboards

Mark Abraham: Bass Guitar, Vocals

Bruce McCarthy: Drums, Percussion

This interview happened in the middle of the Enter the Haggis tour. Anita Daly became our go between because she has direct contact with the band and it made the communication easier between us. I made a review of their new album in my past edition and the band was pleased hahaha. So it was Trevor Lewington who answered all these questions. Let us welcome them as our band of the week!  Also check out the cool videos at the end of this interview.

Hi guys, my name is Baxter. I write for The Celtic Music Fan online magazine. I listened to your album in its entirety and have been meaning to conduct an interview with you since 2009. I am glad for this opportunity…. With the release of The Modest revolution, what do you think has changed in the musical aspect of the band?

Our last album, Whitelake, was recorded at a cottage and the overall vibe was pretty folky. We went down to a studio in Kentucky to record TMR and cranked the amps back up again. Songwriting remains our first priority but the arrangement approach was to bring the songs to new highs and lows dynamically-speaking. Brian (fiddle/keyboards) played basically ALL the electric guitar parts, which changed the sound of the band rather dramatically. Craig (bagpipes/harmonica) picked up the trumpet on our last album and his playing is really solid on this record.

     What are the technical aspects you have learned in terms of recording and playing live?An Instagram ETH photo taken by patrickc68! #enterthehaggis #irishfest http://instagr.am/p/W4SGG5GYhA/ - tag your photos #enterthehaggis to share them on our Page!
The experience of recording a new album always challenges us in different ways. Thanks to the success of our kickstarter campaign, we had more time than usual in the studio such that we didn’t feel rushed and were able to experiment with unusual sounds, parts or arrangement ideas. Sometimes it worked out and sometimes not, which is the exciting thing about experimenting!

In terms of the technical aspects of live performance, I don’t think anyone learned more than Brian. He’s always been a gear head but now that he’s playing electric guitar live he’s done a lot of research to get the right tones for all the new songs. Craig has added electric bagpipes to the live mix, which frees us up to play songs in more keys (the traditional highland pipes have a very limited range.) The highland pipes are still his instrument of choice but it’s nice to have the option of electric pipes.

     How’s the tour going so far?
Great! We had a crazy March run where we played some amazing venues, including a sold-out show at Turning Stone casino. We’re now in the middle of a Canadian run and will be heading over to Ireland soon. The new music really seems to be connecting with people, which makes performing It all the more enjoyable for us.

     Why the title The Modest Revolution?
It’s a quote from the front page of the  newspaper that inspired the album: “Harper’s Modest Revolution.” The gist of the article is that our prime minister is trying to sway Canada’s collective psyche to the right, but we’ve taken it to mean that “even a small gesture can be the beginning of positive change.”

What can you say about each of your band member in terms of being together through the years, playing and recording together?
Well it’s certainly been quite the ride. I feel like we’ve always just kept our heads down, writing the best songs we can and traveling around playing shows. Only recently have we noticed that we have an actual history! College kids are coming up to us and saying they started listening to us when they were kids. It makes us feel old until we realize that most if us were pretty young when we started making music together.
Personally, the longer we do this for, the more I appreciate the other guys in the band. Not only are they amazing musicians, but that there’s a respect for each other as people. Musically I think the growth as individuals and as an organism has been substantial. I feel like with this album we’ve only now come to understand what this band is – but don’t ask me what that is as I probably won’t have an answer.

    What’s your marketing goal for the album now that it’s release?
Being an independent band, we don’t Have a “marketing department” as such. I think the idea is to connect with as many people as possible who might enjoy what we do. This isn’t dumbed down pop music so it’s not going to be everyone’s cup of tea but that’s the way we like it. We’ve got an amazing group of dedicated fans and we feel like as long as we can make music that resonates with them they’ll want to share it with their friends. We’ve hired two publicists, a radio tracker and pay for online advertising but there’s no better advertising than getting up in front of a crowd and playing our asses off.

ETH has a kind of Celtic rock that is easily accessible. It is also radio friendly and universal. How are tracks conceived. What’s the science behind the songwriting? An Instagram ETH photo taken by patrickc68! #enterthehaggis http://instagr.am/p/W4SjyAGYhX/ - tag your photos #enterthehaggis to share them on our Page!
Haha… Seriously? Celtic rock is about as radio-friendly as… well, bagpipes. Being radio-friendly definitely isn’t our intention, although there are so many great specialty online stations these days that any style of music can find a home. I could go on for hours about songwriting but suffice it to say that I try to remain a student of it. There’s so much incredible music out there so it’s important to keep listening to as much of it as possible. As a band I think we’ve learned how to take on the roll of a producer by focusing on the best parts of a potential song and losing the parts that distract from that.

  Do you think you have reached the part in your musical career where you can breathe? For those aspiring Celtic rockers, what’s your top 5 list of things that they should remember when they want to make music as a career?
Can we breath? Absolutely not! I feel like we’re being chased by the Minotaur and are barely staying one corner ahead. We’re having a spark of success but with that comes the pressure to stoke the fire.
1.) don’t do it unless you must
2.) get regular servicing done on the van
3.) eat fresh vegetables
4.) book your hotels through Priceline
5.) don’t room with a band member who snores

   Where can fans buy your albums?
Come to a show! Or get them through our website, iTunes, Amazon and just about anywhere else online.

    What’s your marketing advise to all bands trying to court online and offline listeners?
Don’t call it marketing! Just try to connect with your fans as often as you can and don’t put out music just to put it out – make sure it’s something you’ll proudly play for your grand kids.

I hope that works! Thanks Baxter.

Ok there you go. I hope it gets to them, Trevor



Thanks to Zach McNees for cutting this together, and Daniel Roher for some of the footage. 🙂







Welcome to our artist of the week edition featuring the band Enter the Haggis. For the whole week I will be putting updates in my Huzzah! column so that you will be informed about what’s going on with the band.

Now on a sad note I was shocked upon hearing the Boston Marathon explosion this Monday and the whole blogosphere mourns for the victims and their families. Actually I posted an essay on another site and I am glad to be able to talk about situations that belong to a particular venue and not just mix things up.

An Air For Boston – April 15, 2013

Here is a video that piper Patrick D’Arcy performed on the wake of the tragedy and I think this is very appropriate because Boston is one of the most Irish places in America. The Celtic Music Fan, being spiritually attached to Ireland mourns and condemns any violence inflicted upon the Irish and the rest of humanity.

My heart goes out to those affected by today’s bombings. May God help you all. This air came to me, The Wild Geese- Patrick D’Arcy

This is not just an American tragedy but a global one because people of all races were victims. And we are all human beings. We are not fighting people from another planet but our own kind. Very sad.

Elle Marie O Dwyer, Orriel Smith And More Soundcloud Tunes

Elle Marie O Dwyer, Orriel Smith And More Soundcloud Tunes

Elle Marie O Dwyer

Elle Marie O Dwyer

Elle Marie O Dwyer has a kind of voice I would describe as crystal clear and bright.  Her music is mellow. It’s the kind that would you would be looking for after a hard day’s work. The kind of sound to listen to when you are reclining and letting the evening breeze take you to the land of imagination. The arrangement is more minimalistic. She does have songs that are comprise of strings but most are her clear soprano embellished by nothing but the piano.

This is the title track of Elle Marie O Dwyer’s first album “Where the Allow Waters Flow”. The 12-track album includes songs like “The Cottage With the Roses Round the Door”, “The Land of the Gael”, “Brosna Town” and “My Bonny Labouring Boy”. The album can be purchased on Claddagh Records at http://claddaghrecords.com/WWW/catalo…
Like the facebook page http://www.facebook.com/ElleMarieODwyer to keep up to date with all events and gigs for Elle Marie



Orriel Smith

Orriel Smith

Orriel Smith

Her soprano voice is recognizable. She has the ‘it’ in operatic singing. Yet she also possesses the kind of quality that appeals to the wider audience. Most singers with operatic background aren’t easy to listen to because the style is targeted to specific venues and moods in listening. But Orriel Smith promises to delight even those that are not into classical singing.

Danny Boy is a traditional Irish song covered by many. But it is not often you come across an artist who can nail it with precision and true sentiments the way she does. It is a beautiful haunting track marked by her crystal clear voice.May she get discovered by more enthusiastic ears so that she can record more tracks with exquisite beauty attributed to the gods!



Here is my other soundcloud account. Like what I mentioned in my earlier issue there are tracks here that are Celtic and non Celtic. This is due to me running another site called www.spheremusic.wordpress.com  So just enjoy the music regardless of the genre because they are all amazing music. I mean seriously, when have I given you bad recommendation huh? Hahahaha ok enjoy!



Hello everyone. Welcome to our Friday edition of the Celtic Music Fan. In my part of the world which is the Philippines, it is the start of summer. You can feel it as the heat stings your skin. It is like this deep low drone of  uilleann pipes followed by the sharp wail of the bagpipes. It is hard to ignore because it is really saying ” I am here.”

It is an exciting month because big bands like Solas and Lunasa are giving everyone lovely music.

Kevin O’Donnell

Deep Is The Well by Kevin O’Donnell

Those who are based in Chicago should follow Ceolwind Productions. So what’s cooking? According to owner Noah Smulkis:

I have an early copy of a new release due out this May from Irish folk singer-songwriter Kevin O’Donnell. It’s practically more American folk than Irish and it tells the story of descendants of Irish immigrants in America from the late 1800s to present day. I think you’ll like it and may be interested in featuring it prior to the release. Produced by Maurice Lennon and featuring many Irish and American folk music guests including Maurice, John Williams, Kathleen Keane, Finbar Furey just to name a few.

Ceolwind Productions is owned by Noah Smulkis whose friendship with The Celtic Music Fan go as far back as 2009. And yes this is prior to the creation of Ceolwind Productions. Check out http://www.deepisthewell.com/ for a sneak peek.

For a sneak-peek: www.deepisthewell.com

Jeremy King

Click to go to the Poitin page.

Poitin lead man Jeremy King made the moment epic with his vocal rendition.It is  a rare treat because he is first and foremost and instrumentalist. But here he shows he has such golden pipes! http://www.youtube.com/watch?v=BLaElv4FXcs&list=PLB43F7C6C3626BC92&index=1 You can also check more of the pics from last night’s session here: https://www.facebook.com/media/set/?set=a.10151315040436431.1073741830.105492236430&type=1

Local Kyle Burghout playing some Irish music in an extremely fine fashion. Thank to Irish Music Ottawa for introducing this fine artist: http://www.youtube.com/watch?v=HZrvTiPdFMM&feature=share

Dom Duff

Dom Duff

Breton Celtic rocker Dom Duff has a new video Dom DufF – Buan Yann Buan: http://www.youtube.com/watch?v=b8D6cT9Kuf8&list=PLD3AA89794FE71CB2&index=1

Buan Yann Buan is a track driven by instruments like the mandolin acoustic guitar, harmonica and fiddle. The only difference between this song and his other works is the emphasis on lush instruments . The explosive salvo of sounds feel like a rush of a big wave. There is also something optimistic and an adventurous atmosphere throughout the song which lasts 3:38.

Patrick D'Arcy and Quincy Jones

Patrick D’Arcy and Quincy Jones

The picture above tells a thousand stories. Yes that is our very own Irish piper Patrick D’Arcy sharing a cool moment with Jazzman Quincy Jones. According to D’Arcy:  ” Quincy Jones and myself enjoying a few Black Velvet’s, courtesy of Bono, for his birthday party at his house tonight. Q loves the uilleann pipes. Beautiful experience and a really lovely family. We can all only wish to be this elegant at 80!”

Aside from working on this site I also give my blogging talents to several sites. So just to give an idea , here are the following:

Garrett Hacking  of Photography G was introduced to me by Damien McCarron of the Indulgers and The Mile High Celtic hour. http://americanmadeinsider.com/2013/03/14/photography-g-capturing-the-spirit-of-the-moment/

For those who love Celtic inspired wood carvings, here one from Celtic Woodworks: http://americanmadeinsider.com/2013/03/22/interesting-wood-decorations-from-celtic-woodworks/

Garrett Hacking of Photography G

Garrett Hacking of Photography G

And finally my music posts via Expats Post once in a while featuring Fraser Fifield and the Nordanians: http://expatspost.com/entertainment/videos/the-nordanians-featuring-fraser-fifield-daraa/

While watering the plants, I was playing this Celtic band from France called Caliorne. These guys play Breton inspired tunes led by the bagpipes of Francois. Teens decided drop by. Then one of them could not resist it. He asked what I am playing. I told him. More of the music of Caliorne here: http://soundcloud.com/caliorne

Happy Birthday to Jacob McCauley! Wishing you more music to make and more bodhrans to beat.

In case I miss something in this edition, The next one will be this Sunday 🙂

Patrick D’Arcy:Pure Pipes (Interview)

Also in this edition: Eve Mctelenn, The Whistling Tree and Will Tun & The Wasters.


From Dublin Ireland to California, Patrick D’Arcy maintained the soul of the uilleann pipes and other wind instruments …making one realize that it is innate passion , not geography that keeps the spirit of the music alive.

Patrick D’Arcy

This week’s featured artist is the smooth man of the uilleann pipes, Patrick D’Arcy. I was literally captivated by his album Wallop the Spot that I had to get his ideas into cyber print for everyone’s pleasure. The album cover shows the charismatic musician grinning away from the camera to his left. The immaculate  instrument is poised ready to be played. Oxford Dictionaries define Wallop as : to strike or hit very hard(verb) or a heavy blow or punch (noun). The title speaks for the album. I think the notes are given more volume and mass with the absence of other instruments. You can literally feel as if each note  is being punched out of the instrument. He made the pipes very intimate giving a lot of angles to be appreciated including the drones. I enjoyed this conversation with Patrick and I hope you do as well.

The uilleann pipes became a star instrument in your hands. What kind of techniques have you developed so far after years of playing?

Thank you Baxter! I don’t think I do anything unusual as far as technique on the instrument goes. I use traditional techniques I’ve picked up over they years from other players and teachers by attending schools like The Willie Clancy Summer School in Clare, Ireland, and also by attending Tionól all over the US. These techniques would include cuts, rolls, triplets, crans and various other finger manipulations to trick the reed into believing that it’s supposed to be playing music and not standing dead in a marsh in California somewhere. Where these techniques are placed in relation to the beat would effect greatly the feel of the tune being played. Also the tempo at which the tune is played. I enjoy a less hurried pace to the music, trying to find feeling in tunes rather than just the thump on the floor.

You are very active in terms of networking with other musicians and creating piping sessions all over California. Has there been a dramatic change in terms of audience attendance now that it is so easy to network with listeners all over the web?

Not that I’ve noticed. When I began it was just before the onslaught of the internet anyway, the early 90’s, so I’ve always been able to email with other like-minded psycho’s. There was a great message board called The Uilleann Pipes Information List where everyone with access to a computer from complete beginners to pipemakers could share thought’s, ideas and opinions and gather information. I suppose people don’t seem as far away as they used to. Nowadays everything is available online. Every rare bit of footage and recording is there to be found and downloaded. It’s overwhelming really the amount of material there is out there. It is a matter of finding what you like and learning it intensely which will lead on to other musician’s and styles. Everything leads to something else.

What has been most memorable experience you had making Wallop the Spot?

Wallop The Spot album
by Patrick D’Arcy

Going for taco’s with Bryan Dobbs, my producer. I like food, but he is intensely into traditional Latino food. A place close to him is a small chain called Rigo’s Taco. After a day of recording we would refuel there and return to the studio for the rest of the night. Also, the recording got me back into listening to music. I hadn’t consciously been listening to traditional music for a while apart from the CD’s I have in my car on rotation at all times. Tommy Peoples, Tommy Reck, Bobby Casey, Willie Clancy and Darach Ó Catháin.
Every time I drive they are playing.
And as I live in Los Angeles, California, that would appear to be quite a bit!

 What’s your favorite track(s) off the album? And why?

I like tracks 2 (The Hag with the Money, The High Part of the Road,The Girl from the Big House ), 3 (The Green Fields of America) and 12 (My Bonny Blue Eyed Lassie). I love playing airs on the pipes and particularly these two. They seem epic to me. I also like track 4, (An Buachaill Dreóite), on the C whistle. It has a nice skip to it that I like. I was very happy with how the pipes recorded, especially the B set… there’s some whack off them! We spent a lot of time getting the sound right. I wanted to reproduce an authentic sound that allowed the listener to experience the pipes in a way that the player usually only gets to enjoy, like you are inside the instrument feeling the reeds buzzing all around you.

 Being Irish and now residing in the United States, do you keep a strong bond with your friends and fellow musicians in Ireland?

I like to think so. It is hard enough due to the distance but, like we were talking about earlier, the internet helps. Everyone is on Facebook so at least we get to see, silently sometimes, what each-other is up to. It is always nice to get together with people when I go home on holiday or on tour. Time can be limited but it’s an important part of those trips.

Having a tune at the Grand Ole Opry. — with Ricky Skaggs and Keith and Kristyn Getty at Grand Ole Opry.

 If you were given a chance to collaborate with another musician for a side project, whom would you like to work with and why?

Wow! … Liam Howlett of The Prodigy! … I think there could be some mad music made in that collaboration 🙂 I have so much admiration for other traditional Irish musician’s that I would be reluctant to impose my musicianship on them! I’d love to get a good trad band together though. It’s very hard thing to do in Los Angeles as there aren’t that many players and they’re all doing their own thing. Having said that though we do have a nice couple of sessions each week that I enjoy. Particularly the one at Timmy Nolan’s in Toluca Lake, my regular Tuesday night session. It is so important for publican’s to be enthusiastic about the music. The owner there is and takes very good care of us. It makes the atmosphere better and the music too! I love it when traditional musician’s from other cultures get together and come up with a hi-bred. Like Spillane, Irvine, Whelan and Parov did with Eastwind or Caoimhin O’Raghallaigh does with Swedish music. Liam O’FLynn also did it with Carlos Nuñez and the Galician tradition. I think Indian music would be a great combination with Irish music, maybe because of the drone commonality? I have had a the great pleasure of playing with Vikash and Prabash Maharaj from Varanasi, India. They are a father and son duo on sarod and tabla. They are consummate musicians – it would be very interesting to record something with them. I also like playing with bluegrass musicians and have had the privilege of playing with some of the best in Nashville like Ricky Skaggs, Ron Block, Andy Leftwich and Ross Holmes. It just grooves in a different way that can be interesting sometimes.

Pat that’s really a good idea…collaboration keeps creativity flowing! So what will we see you doing in the next few months?

I have a Christmas tour coming up with modern hymn writers Keith & Kristyn Getty http://www.gettymusic.com – It begins the end of November and runs until just before Christmas. There are rehearsals between now and that beginning. I am promoting my CD “Wallop The Spot” like crazy and it’s going very well. If you are a radio show host or write album reviews please contact me!
The official website of modern hymn writers Keith and Kristyn Getty

In January I will be reassessing what to do next. Possibly a house concert/folk club tour? Any venues interested please contact me also.

Please complete this sentence: Music is………………………………………………………..

…what I am. All my life I’ve been eaten up with it… I’m just happy it’s not a disease… or is it!?!!? I wonder if there’s a generic medicine I can take to help cure it 😉

Parting words to your readers and fans?

Thanks for all the support! It is always so nice to meet people when I am out playing that know of my music. Please come up and say hello when I am in your town. And spread the word! <subtle hint>You know Christmas is coming up 😉 </subtle hint>

 Patrick is performing all over California. If you have the time please visit his sites below and also buy Wallop the Spot as a step in getting to know the uilleann pipes.

Other resources

Please visit his bandcamp page : http://patrickdarcy.bandcamp.com/

Video samples:


Featured video: Will Tun & The Wasters live @ the Baz Bunker, Norwich.

Ok these guys are crazy! I mean crazy as in fun and amazing. A big thank you to Will Tun and The Wasters for sending me the link to their live video via twitter. It made my morning. Yes yes yes good spirits.


Post Halloween Amusement: JACK O LANTERN STORY by Eve Mctelenn – jack à la lanterne

Those who frequent the Celtic Harp Facebook page aren’t strangers to Eve Mctelenn’s music. This one is a fine example on how story telling and music can enchant and inspire. Yes this is done in French but it doesn’t matter if you don’t understand. Just Listen…and listen..and you will love the sounds and the music. I am serious.


Featured site: The Whistling Tree

This is a new site devoted to those who want to learn and share the music of the tin whistle. The creator of this page is concentrating more on twitter feeds for now. But with more members, things will definitely change. Better hit the ‘like’ button 😀



Post Hurricane Edition

 In this edition: The Indulgers, Blyde Lasses, Cillian Doheny and pictures of the day…

We had a hard week. My heart goes to those who suffered the terrible force of hurricane Sandy. As much as I love Nature, these are one of those times when nature can be scary. It is a horrible situation but as long as we remain steadfast in our devotion to one another, then we will get through this. Ive had moments in my life when I thought all hope is gone. But when I think about the love of friends and family members, everything becomes bearable again.

There is an ongoing drive to help the people of New York. Please check out Beal Bocht:

The Beal Bocht offers music, poetry, comedy, theatre and art exhibits ,making it the premiere place for to showcase both Irish and local artistic talents while enjoying great drinks and food.



Introducing: The Indulgers

Genre    Irish/Celtic/Americana/Rock
Members    Damien McCarron – Vocals, Guitar
Mike Nile – Vocals, Guitars, Mandolin, Harmonica and Electronic Bagpipe
Renee Fine – Fiddle/Violin
Aaron Haywood – Bass
Frannie (Cheech) Mannone – Drums
Guesting on occasion:
Neale Heywood – Guitar
Ryan Bunnell – Guitar
Hometown    Boulder/Golden
Record label    Celtic Club Records
General manager    www.shamrocker.com
Influences    Waterboys, Horslips, Thin Lizzy, Christy Moore, Irish Trad., Paul Brady, Spirit, Fleetwood Mac, Beatles and many more.
Current Location    Boulder/Golden, Colorado

The The Indulgers

Good melodies, rockin’ beats, sing-along lyrics: these are the things that make up a good album that you can listen to again and again. My introduction to The Indulgers was rather nontraditional. I only know them after catching a radio show called Mile High Celtic Hour hosted by front man Damien McCarron. He moved to Colorado from Dublin.

I became a regular listener of the radio show and there is something about his speaking voice that’s great to hear. It is not just his Irish accent but his voice quality. I was not wrong when I heard their various tracks. I should also mention that apart from the front man’s vocal appeal, all the guys in the band are well-heeled musicians who are master of their own instruments. You can feel the passion as it electrifies every instrument in their songs.


Blyde Lasses

Check out this duo from Aberdeen UK. Great fiddling tunes there that’s fresh and crisp. The Lasses Set is truly inspiring. I love the balance between energetic performance and  emphasis on  grace. The recording is also amazing because it lets you listen to the surface of sound. You can almost hear the way the bow grinds against the stings. Their vocals are also lush and expressive. I hope to hear more from them. It’s been a while that this site featured fiddlers. This could be the start eh?




Cillian Doheny

 “Music is food for the soul!“…..Cillian Doheny

Cillian Doheny is answering my interview questions in between touring with Moxie.  I treat this as a pre feature write-up about his music. He does play the banjo way beyond his years. This man is hard-working being with so many projects in such a short period. So this is an introduction to his music and many more to come.

More here: http://www.myspace.com/cilliandoheny


Pics of the day…

Patrick D’Arcy the inspiring uilleann piper sent me these wonderful gifts. Something to be cherished for all time.


Traditional Irish, Bluegrass and Americana

 Featuring:Patrick D’Arcy, Neansaí Ní Choisdealbha, Kyle Carey and Noriana Kennedy

Introducing Piper Patrick D’Arcy

For some musicians and listeners, simplicity is everything. Patrick D’Arcy sets an example of how one instrument can give out so many layers to observe, savor and glorify. His simplistic use of the uilleann pipes, unadorned by other instruments sort of magnifies that soul of the instrument making its core radiate.

Most of us usually take the drones for granted as our attention is focused on the play of notes and also interplay of other instruments. Patrick makes every angle of sound posses that bulk and electricity. I am amazed how beautiful the drones can be when your ears don’t process too much information.

Patrick D’Arcy is now based in Woodland Hills California after leaving his hometown of Dublin several years ago. He manages five websites. http://www.patdarcy.com/ is a directory of all his other sites.  One of them is web and print design called www.darcycreative.com while www.patrickdarcymusic.com is about his music. http://www.uilleannobsession.com/ focuses more on the instrument and also learning it.  http://www.socalpipers.com/ is a place where all pipers meet around  Southern California.

It might surprise you to know that this passionate piper studied classical guitar at the Royal Irish Academy of Music. Why did he give up guitar and chose the uilleann pipes? That is what I will find out one day! He just released a traditional album called Wallop The Spot composed of 13 tracks. You can buy the album here: http://patrickdarcy.bandcamp.com/


The breezy music of Kyle Carey

Real life is HARD. But Kyle Carey does a good job of transporting us into lazy afternoons, visions of orange blossoms and fireflies at dusk. Her various styles(Bluegrass, Irish and New Age) create a satisfying experience that leave you with a feeling you get after a good nap-fresh and clear headed. There are gentle guitars and lurking banjos in the sea of fiddles and vocal harmonies. Her voice has this silky feel reminiscent of Alison Krauss and Grada. To be able to escape for a moment into the music that channels the power of kindness and childhood innocence is really worth your time…maybe an hour a day would be good for you.

If you love original music that will stand the test of time then Kyle Carey’s Monongah is for you. Buy her albums here: http://www.kyleannecarey.com/

Visit: http://soundcloud.com/kyle-carey to sample her music


Neansaí Ní Choisdealbha

Presenter and producer: Neansaí Ní Choisdealbha

Neansaí Ní Choisdealbha is a head radio presenter at RTÉ Raidió na Gaeltachta.  If you want to know the phonetic way to say her name it’s “Nancy”. I listened to her recorded shows and they are truly informative and exciting. They are geared towards the traditional music audience. Her approach to hosting is relaxed and once in a while she inserts anecdotes. There’s never a dull moment. Throughout her career, she moved between Galway which is her hometown and the United States, back and forth. Her favorite quote is: I can resist everything but temptation! Don’t we all? Especially if the temptation are those beautiful Irish tunes!

Visit: http://soundcloud.com/neansa-n-choisdealbha To hear her recorded shows.


Noriana Kennedy

The Bluesy Noriana Kennedy

A few months ago, I feature a video by Galway based singer who is working on her album with her band Wildflowers. According to her recent post to her website:

We made a merry start to recording the new Wildflowers CD last weekend. Myself, Nicola Joyce, Noelie McDonnell and Gerry Paul spent the weekend at Larry Kelly’s beautiful Finnish log-cabin home in Tuam, Co. Galway.  We put down new versions of  ‘Dear My Maker’ and ‘Poor Ellen Smith’ along with three other brand new tracks.  We’ll give it another blast next month to finish it off…all going well the CD will be fit for filling stockings in December!  Big thanks to Liam Caffrey, our patient and gifted engineer and of course Larry and Olivia for the generous loan of their fabulous home, the gourmet menu and constant feed of happy vibes.

I know there are friends who are excited to hear something by this amazing singer/songwriter with a unique voice that can deliver a full range of emotions.


and also : http://soundcloud.com/noriana-kennedy to sample her music.