Trine: They are now playing

Trine: They are now playing

You think Celtic music is rare in Asia? That may change soon as Filipino group Trine play music that could only come from Ireland, Scotland and Bretagne. They are playing music all over the Philippines and of you are a tourist in need of some Jazz spliced with Traditional music then look for them.

Now, all they need are regular YouTube video posts, a blog page and music site where fans can hear and share music!

Naoned Whisky by The Maggie Whackers  plus Podcast #25

Naoned Whisky by The Maggie Whackers plus Podcast #25


After almost two years, French band The Maggie Whackers are back with a new EP called Naoned Whisky. And yes they are from Nantes France. A great place of music! Drunken Sailor is timely because it’s a decade of the mainstream’s fascination with Pirate movies and tunes. There are strong Breton elements in their songs especially in Sans Regrets Sans Remords which is my favorite track due to its beautiful use of the bombarde. Fucking Goblins show their punk side. I’m A Man You Don’t Meet Everyday is shocking with its tenderness and melancholic melody. Burn in Hell showcases the joint forces of traditional Breton instrument and Clash-inspired guitar playing.

Naoned Whisky is the testament to the band’s continuing energy. Their songwriting has evolved since the release of their self-titled EP. They have  great sense of musical and visual style. I am sure their live shows are really entertaining. Listen below and go to to buy the album.

For bookings and any question:

The Maggie Whackers
06 33 72 49 44


The Baxteria Podcast #25 is Up!

The Baxteria Podcast #25(Celtic and Indie variety) by Baxter Labatos on Mixcloud


Sharon Corr-We Could Be Lovers
Brishen-Live at the Victoria International JazzFest 2013_ “Coquette”
Bachue-Rumble Thy Bellyful
Jacob McCauley-December 2010 Concert Part 6_ Bodhrán Solo
Moya Brennan-Sailing (radio edit)
Jack Raven’s whores-Bad Trip
The High Kings-Gucci
Arctic Monkeys-Arabella
Beth Orton-Something More Beautiful
J.P. Kallio-Too Late to Say
Fiona Joy Hawkins-The Journey (600 Years in a Moment)
Rebecca Brandt-The Moment
Fleet Foxes-English House


Jack Raven’s Whores Plus Podcast #23

Jack Raven’s Whores Plus Podcast #23


Anyone who loves good old whiskey will find something familiar with the band’s logo. Think of  Jack Daniel’s and Jack Sparrow-then you get the idea behind the logo of the band Jack Raven’s Whores. Ok I admit I am not confident to say the last word out loud but these guys have the right to be confident with their music.




Combining Irish folk, Balkan, sailor music (and a hint Breton music)l; they weave songs that celebrate the wild adventures straight out of a pirate movie. In terms of craft, they are serious. Bad Trip is  their latest single. It has a long instrumental intro. But then it dips into a beautiful folk song.  The band are:Greg Raven(Lead vocals and guitar), Cormac Jones(Vocals and Mandolin), Mathieu Vigouroux(Clarinet and tin whistle), and Ju Rosh Lcmte(Fiddle).


Podcast # 23

My latest radio show is now available on podcast. Visit the link and enjoy great music!

The High Kings-All Around the World
The High Kings-Come with Me Now
The High Kings-Gucci
The High Kings-Friends for Life
The High Kings-Galway Girl
The High Kings-Health to the Company
The High Kings-Peggy Gordon
Steven Hawson-Maids: In the Meadow; At the Churn; At the Spinning Wheel
Ashley MacIsaac-Devil In The Kitchen
Lisa Gerrard-Sanvean: I Am Your Shadow
Sleepthief-Skimming Stones
J.P. Kallio-Northern Boy
Siouxsie Sioux-Heaven and Alchemy
Samuel Smith-The Way of the World

Check out the Soundcloud Page of Fabien Guiloineau

Check out the Soundcloud Page of Fabien Guiloineau

Fabien Guiloineau of Shelta is back, this time with his other musical project called Kitus. Bourree de Vichy/A Bout de Souffle is a lively track which has a strong Breton sound. Unlike Shelta which focus more on Traditional Irish music, Kitus have a World music influence as they merge not just the music of the Seven Celtic nations but also other musical styles.

To hear more of Shelta and Kitus, just visit Fabien Guiloineau’s page through the soundcloud embed below.


What is your Christmas wish? Mine is peace. I am not talking about world peace as it quite a feat. Personal peace is enough. And by peace I mean to be away from situations that cause anger or pain. To really say what you want or feel is a luxury that seems to be abundant in others while scarce to some. Loss has taught me to not waste time and to be upfront with what I want to happen. If you have an interesting gift that you want for Christmas, let me know. I want to learn from your experiences and also wisdom.



Barbara Tresidder Ryan of Iona Speaks About The Music of the Celtic Nations

Barbara Tresidder Ryan of Iona Speaks About The Music of the Celtic Nations

Barbara Tresidder Ryan

Silver is the new album by Celtic band Iona. With amazing arrangements of tracks and interesting choices of materials, I am sure listeners would like to hear the ‘behind the scenes’ aspects of this album. And of course, the band as whole. It is quite an achievement to maintain that rush of creativity for decades.Barbara Tresidder Ryan, Bernard Argent, Chuck Lawhorn,  James K. Queen and Kathleen Larrick continue to make the music fresh and relevant in today’s generation. I am glad to be able to have a chat with Barbara Tresidder Ryan and the creative force behind the music. There is also a glimpse of her own musical life in the interview.  And oh, check out that video at the bottom of this post. She is an amazing player. So are the other members of Iona! So read along and enjoy.

 IONA as a band has been around for more than two decades. This is remarkable because it shows the member’s dedication to music! How does it feel releasing the new CD Silver?

Releasing “Silver” was just the natural progression of a long and passionate musical journey.  It has been bittersweet in some respects as the power of recorded albums has waned, giving way to the more diffuse acceptance of downloadable music, and the high tide of Celtic music, which peaked in the 90’s and early aughts, recedes.  CD sales, which were always a banner of success, are no longer the immediate gratification.  That being said, all of us in IONA are thrilled with the album as a production.

I love the music of the Celtic nations and I always make it a point to represent the many colors of the Celtic world. IONA is close to my heart being able to represent the music of the Celtic nations. Do you always make it a point to have this in mind every time you go to the studio to record new tracks for an album?

Celtic music, like Celtic design, has themes that resonate from one culture to the next.  Bernard Argent and I set out a long time ago to investigate and pursue the modal and rhythmic themes that wind through the music of ALL the Celts.  It’s freeing to launch into the ancient traditions where time signatures don’t have to conform to modern meters but to the movement of dancing feet, or sing a song that is in a mode that doesn’t even have a name!  When we choose our material, we do so by ear and what seems to fit together, borrowing from one tradition to complement another – rarely by intention: an Appalachian song just sometimes insists on being coupled with a Galician tune – we can’t argue!

 You have danceable tunes as well as ballads in Silver. I love IONA’s take on Dans les Prisons de Nantes which I iona silverfirst heard from Tri Yann. Will we be hearing more Breton music in your upcoming projects?

We always have lots of Breton music in our arrangements.  Many thanks to the fabulous Nolwenn Monjarret and her father, Polig, for introducing us to such a wealth of Breton songs, tunes and dances!

Manx music is really fascinating and the track 10 ( Moirney ny Cainle/Arrane y Guilley Hesheree/St. Ives Fer Moh ) is worth an applaud. How do all band members keep the authenticity of the language and a tune being from the United States where English is the primary medium of communication?

Having majored in languages and lived overseas all my young life, I’m attracted to all language sounds.  Jim Queen has also taken on language study more recently and has the ear.  We both speak French fairly fluently.  We are fortunate to have speakers of most of the Celtic languages in the Washington, DC area and are coached by them in the languages with which we aren’t familiar.  My background is Cornish and Scottish, and I traveled to Cornwall many years back to consult a Cornish bard on the re-emerging language of Kernow so I could sing with some authenticity.

 Your voice is unique because it sounds natural. How did you decide to maintain your vocal style while others want the more operatic, airy kind of voice?

I started out as a folk singer in the 60’s.  My mother was from Kentucky and I grew up surrounded by what we knew as American folk music which also happened to be the folk music of the British Isles.  A quick aside here to say it’s always been odd to hear, when we’ve toured in Scotland and England, that we’re singing “their” music when I’ve always thought of it s “mine”.  I trained for 10 years in my twenties and have used that training to keep my voice strong and healthy, not operatic.  At 63, I can sing 4 or 5 shows a day, even acoustically, for days and not tire.  I now teach these techniques to singers of all ages.

 Your live shows are not just appealing in the listening sense but you also have Celtic dance thrown in the mix. How is IONA different now compared to when you were all starting out?

When we started out, we were playing mostly Irish and Scottish/English music, since that was what we knew from childhood.  We traveled a lot and discovered that there was a whole lot more to Celtic music.  We played in sessions, contacted musicians from all the “nations”, founded a great Celtic festival, the Potomac Celtic Festival, bringing together all the elements, and just continued to grow as we absorbed all the amazing influences (as you seem to be doing as well!).  We have been fortunate over the years to have dancers, who have also been musicians, be part of the band, and to have learned Breton dances that are integral to our performances.  Highland dancer Susan Walmsley danced with us for 5 years, followed by Kathleen Larrick who grew up with Irish step dance and clogging, who has been with us for 6 years.

 Where can listeners buy Silver?

Silver is available on our website at and also from CDBaby and itunes.  We recommend for the highest quality digital downloads.

What are the exciting things waiting for all of you in terms of live shows this year?

We’re always working on new material that we’ll be introducing at our shows.  This year, we’re not touring too far afield, this being a time for developing arrangements.  Our schedule can be found at

The DVD called Live! At the 333 has been released already. Do you have other DVDs ?

Not at this time, although there is an interesting compilation of 3 different performances of “Dans les prisons de Nantes” available on youtube at

 What’s your message to our readers?

Open yourselves to all the Celtic influences around you: listen for the commonality and rejoice in the differences.  We’re so lucky to be able to hear and experience such a broad range of music informed by the Celts worldwide!


Babel Pow Wow by Dom Duff

Babel Pow Wow by Dom Duff


Album: “Babel Pow Wow

Artist: Dom Duff

Location: Brittany

Original Release Date: April 18, 2013


1. Buan yann buan

2. Bitter Lands of Llydaw

3. Noa

4. Chikoloden groove

5. Floc’h ar jabadao

6. A-du gant an avel

7. Babel pow wow

8. Houarn & lêr

9. Buzhug’o’matik

10. Koroll gouez

11. Treizh

12. En tu all d’an treizh

13. Foeter breizh

“Babel Pow Wow” is the fifth album by Breton singer/songwriter Dom Duff. He got this started through the Kiss Kiss Bank Bank program.  So what’s thid album all about? According to Dom Duff :

This album pays tribute to the world’s cultures, languages​​, to all those people who use their words and their rhythms to sing, dance, laugh,  … The idea came to me after many meetings with different fans, speaking about multilingual cultures : our imagery, rhythm of our words, of our music.  As usual, I sing my native Breton language, adding my guitar licks surrounds by fiddle, bass and percussion to these stomping songs and tunes.It’s about local & global troubles, causes, …

So what’s my assessment of Babel Pow Wow?   To those who haven’t heard it yet, Babel Pow Wow is a collection of folk/ rock inspired tunes laced with Breton music. It is composed of a richly layered album with a wide array of instrumental explorations. I think this is Dom Duff’s most successful work to date, with  ambitious effort and sleek production to match.

This album aims to take  nods on all Celtic music branches. It also highlights other musical genres, from all sides of the globe. It is an album that is a must for lovers of Breton culture and the rest of the Celtic nations. And even if you don’t speak Breton, the rhythm of the language will take you to places you’ve never dreamed of.

Buan yann buan starts the album with its inspiring guitar and percussion. The tune takes flight as fiddles, harmonica and other instruments wrap this track with passionate abandon. The mandolin takes the center stage in Bitter Lands of Llydaw, along with the strong and haunting vocals of Dom. Noa pulls us into the mysterious Breton landscape with that strange mechanical sound for ambience. Chikoloden  has the groove that is definitively Celtic with its beautiful instrumental arrangement and also a jig in the second half of the track that nods on the Irish side of the influence.

Floc’h ar jabadao is typical Dom Duff with the driving percussion and strumming. A-du gant an avel is a beautiful ballad a sweet melody and beautiful guitar solos. Those who love psychedelic rock will love the title track Babel Pow Wow. Jigs, hypnotic percussion and driving rhythm are all explored to the max in one track. Houarn & r channels a bit of George Harrison with that beautiful and catchy chanting for chorus. This style is also found in the next track  Buzhug’o’matik.

Koroll gouez starts with an adult alternative intro and then followed by the marathon run intensity of the verse and chorus matched by the energetic  fiddle and percussion. The mysterious sounds make a comeback in Treizh. The style is Middle Eastern. En tu all d’an treizh gets us back to our feet with the signature Breton rock that’s always typical of Dom Duff. Foeter breizh closes this amazing album with the sound of Breton footsteps by Breton runners. The video of this song was published more than a year ago and it’s been widely shared across Brittany.

I will never get tired listening to Babel Pow Wow. It’s got all the grooves, the sound spices you need when you want a kind of music that not only inspired but also soothes the hunger for something rooted to tradition and the love for diversity. Better get your copy now!



Alan Cooke, The Wild Irish Poet

It’s Monday! Birds are singing, the sun is up and ground is wet from last night’s rain. How are you doing?

Last time I mentioned that I read in advance The Spirit of Ireland – An Odyssey HOME – Alan Cooke’s  follow-up memoir to Naked in New York. Did I mentioned that the book moved me that I wept? perhaps not so I am telling you now. It is a beautiful work , richly layered in atmosphere and images. You need to get it when it is finally out. So here’s a passage:

From The Spirit of Ireland – An Odyssey HOME : I looked at an old cottage that was for sale because the picture struck me as haunting and evocative. It was dark and grey outside with the threat of rain. This house had no road, no gentle garden path with plants along the edges. It was muddy and full of rocks. I got to the door. A small river ran around the entire house. Inside it was chilling and desolate. A whole planet of despair resounded here in lost memories and lives that had been lived out. Old stained suit jackets hung in the window. Everything was dead. The house had shed its last breath. The windows were blurred with dirt and finger marks. The floor was broken and warped and an old kettle sat in the middle of the room awaiting an owner to bring it into life again. This house had kept generations enveloped in a kind of soft life. Yet hardship always lurked nearby in the form of poverty. I imagined coins counted to the penny and a soft shuffle out the door to get a loaf of bread and some meat for the week. Or some news brought to the door that would shatter the heart. Or the sound of a baby covered in her Mother’s blood born on the wet floor as the roof let in the rain at angles. A weeping newborn amidst the rain storms that took hold of the land and shook and drowned her till she was sodden and miserable.

I saw old cigarette boxes lying by the fireplace. I imagined rugged hands lighting wrinkled cigarettes shoved into the sides of black stained drinking mouths and scouring the land, planting and digging and heaving and sweating the years away. Or maybe a song that was hummed and filled their sleep in the night. Or a foot that tapped with rhythm on the black dirt floors. Or the eyes that were lit by the fire. Soft country eyes that had only seen the glory of nature all their lives. Yet I could feel the intense energy and loss of this ghostly cottage. A house withered and dying without human warmth felt terribly lonely to me. And above me a billion miles into the sky far above the ghosts in this house we were looked down upon by forces undefinable. This tiny house in this tiny land and this eternal terror of being. The light filled the soul, measured against the immense beyond. I felt the depth of it and the memory so thick down to my fingers which I traced along a window sill.

In an old drawer I spotted a faded photo of a Father and his child. The photo was half burned, the daughter looking away from the camera. The Father had a beautiful smile. His cap was in his hands. He looked humble and had soft eyes. Where were they now? Long gone. So far gone I could not sense any of their life in this sad place. Who would buy this place? I wanted the weeds and the fern and the branches of trees to grow tall and strong and wrap themselves around this cottage. Move inside the walls and windows. Creep along the floor and take this house back into the earth. It did not belong in the present. I put the photo back in its place. I felt like I had walked upon a grave. I was trespassing amongst the dead.

Here amongst the ragged remains of an Irish home at once comforting and now cold and dead I sensed what the end might feel like. My own end. It sent a fever into the throat to think on this, the idea of ceasing to exist and of disappearing. Outside I could see a bird wet, on a thin branch still singing in this most terrible of winter days. His eyes darted with each note and his breathy reedy notes were a symphonic calming release against the singular bleakness of my emotions.

His was the constant song of aliveness. The paradox when God seemed to have bolted his door. It almost seemed to me that this messenger was all that kept the world from upending and falling apart. It is the voices of hope in the world that keep us from despair. The bird stayed for an eternity. Singing, for no purpose, but his own, and I selfishly took it for mine as well. To give my own presence meaning.

I left the house and walked back down the rocky path to my car. I looked in the mirror inside and I could see my own darkened eyes, this strange search for home within me always. The restless spirit misaligned with a race that itself was lost. Spinning on in this grey eternity called life.

According to the French Piper: Interview with Francois of Caliorne

According to the French Piper: Interview with Francois of Caliorne



France with its interesting culture and music is definitely a home to bands that are considered avant-garde. Living in France and having a taste for Celtic music would mean that you either go for Breton music or a combination of that and Gaelic sounds. Then there are elements of Jazz and Rock which the French are good at. Such elements can be found in the music of the six piece ensemble Caliorne. With the release of Rock Noz Band, Caliorne continues to define their music and also spread the love of music from France.

Francois (who also goes by the name Fanch Soixantequinze) is the band’s spokes person. He also plays the bagpipes and other wind instruments. So it isn’t a wonder how he landed in my interview section. It is a pleasure to learn what Caliorne is all about through the words of the piper.

How did you learn to play the pipes that way?

I started playing Highland bagpipe in Paris, where you can either play Breton music or Scottish music. I started with Breton music in a Bagad and after, in a Pipe Band (Paris & District Pipe Band). After few years I wanted to play with friends some french folk music (Groupe Sans Gain). To do this I discovered other bagpipes, tuned for that music. And finally, I met people in order to play Rock, what I always aimed to play To play with Caliorne. I tuned bagpipes on A440 with Equal temperament, rather than just temperament. That’s one of the reasons why my bagpipes melt with other instruments…Finaly, my way of playing is surely the result of all this meetings ! But it is the first time someone asked me.

Who is your main influence in your development as a piper?

So many highly skilled pipers ! Douggie Pincok (Battlefield Band), Gordon Duncan, Martynn Bennett, Patrick Molard, Erwan Keravec, Mickaël Cozien… and most of Celtic Rock Bands with a bagpiper (Wolfstone, Slainte mhath, Sonerien DU, Prydein, The claymore…) . And of course many friends and other musicians you probably haven’t heard of yet!

Do you have an exciting thing  going for your band this year? What are they?

Playing at a lot of gigs ! At the moment we lack notoriety, and we have few. That’s why we recorded “Rock Noz Band” last year, and we hope It will be listened to widely !And of course we will compose new tunes.

What are your favorite tracks that you recorded with the band ?

Well, I like most of the album ! Hopefully! But to answer to your question :Déjanté ( totally crazy), La Kro, Star de la Boite (la “Kro” is a common beer in France, and “la boite” means disco. And the sentence is pronounced almost like the traditional dance name…)Trad ha Rock (from tradition to Rock…) and Friponne (rogue).

What are the top 5 Celtic recordings you are listening to this week.

Here they are:

If one goes to France, what are the places in your area where one can listen to Celtic bands performing live?

Well, It is quite easy to listen to Breton music in Paris area, but for non-Breton Celtic music, it is harder. Dropkick Murphy’s played last week in a large hall (Zenith), but it is unusual. At the time of St Patrick day, of course, you can find a lot of gigs…
There is no formal venue dedicated to Celtic music…
The best way is to look at facebook or some website.
Some Pub organize Irish Music Session, every week, like the “Quiet Man”

Or the Carrs


About his instruments:

“Most of my instruments are made by talented craftsman, and some of them are almost unique pieces : 1 chanter in C major, 1 veuze chanter with highland pipe fingering in c major, my diatonic clarinet, etc…

Currently listening to:
Amos Hoffman – Evolution
AC DC – Black Ice
SuperTramp – Crime of the century
And a lot of unknown albums. They are completely unknown outside France.

What he loves the  most about being in the Celtic music scene.

Feeling the music & sound surrounding me and looking at the dancers moving with the rhythm..

A detailed review of Rock Noz Band via 67 Music:


About the video: During our recording in studio of Rock Noz Band, we filmed each musicians when they performed on the same tune. Here is a video of the “Scottish Purple”, with the final soundtrack of the CD.



Celtic Twist Game:

The Celtic Music Fan would  like offer a free copy of Twist in the Tale to the winner of a competition which will start now. This is how it goes. All you need to do is find an answer to a question which in the animated picture blow. all you need to do is go to their official website to look for the answer. A winner will be announced at the end of this month.  Phil and Dave could send it directly to you with a short note of congratulations. How’s that? For those who are new to this album, here is the link to the review I did back in June 27 of 2012.



Cornish Ceilidh band. I found that video above while looking for some Cornish music. Yes the wind blows from Cornwall this week-and Scotland. I’ve never seen any ceilidh band from Cornwall to be honest. So it was quiet a pleasant surprise to find something like that.I am sure if I look further there will be more.

This week, the commotion is all about the Traditional Album of the Year nomination for Trad Connect. So if you haven’t chosen your favorite album yet, then it is time to cast your vote. And please register so you can interact with musicians and bloggers like myself who drop once in a while.

That clip above is from The Big Fat Electric Ceilidh from Scotland manned by Dave Martin. Dave teaches bodhran while maintaining his love for electronic music. The great part about running a site about Celtic music in general is the lack of restriction I have to adhere to. So don’t be surprised if you find yourself listening to something that sounds like Jazz, or electro one of these days. It takes all kinds….

The Peatbog Faeries have a new track and that video has both the great scenes and beautiful music! I look forward to doing an interview with the band soon. Who would you suggest I interview next?

Interview with Gilles H (Daonet) for the album “Donemat”

Plus: Lúnasa video and new releases fromAndrew “Slim” Black,  Michelle Mulcahy and Eliseo Mauas Pinto.

Gwendal Meillarec, Herve Briand and Gilles Bogzh-daonet.

I am glad to discover the band Daonet from Nantes. They are a fine addition to our ever growing collection of Breton artists. They play catchy rock oriented music using Breton language. It doesn’t matter if you don’t speak the language. The music is fun, catchy with just enough loudness to awaken your caffeine deprived family members. The lead vocals of Gwendal Meillarec (he also plays the flute) is strong but not imposing which is a good thing. He sometimes mimics the sound of the bagpipes with his guitar tuned in a unique fashion using great effects.

My guest Gilles H  mostly plays bass guitar. He explains : “I personally mostly play bass guitar except on O’surfin on which we play with 2 guitars (Gwendal on chorus me in rhythmic guitar and after we exchange the roles). On stage I also play synth sounds controlled by my bass (organ, guitars sounds etc.) or my guitar on “O’surfin” (upright bass sound) but on the CD, I’ve used this sounds on “Marv Ponkalleg” intro and one effect on “Nerzh-kalon”. The drums of Herve Briand make the crunch! If you read further,  Gilles gives us an in-depth look at the Celtic music scene in the whole of France not just in Brittany. Here, Gilles uses the terms Breton and Celtic to differentiate the specific from the general.

You made a different treatment of Tri has a  more energetic and punk feel. What are your expectations in terms of people’s reactions to this song and those who are loyal with Alan Stivell’s version?

Yes we play Tri Martolod on stage in our way since 2003, 2004 I think. The reactions to our interpretation of this traditional song are always good, never any complaints 😉 people sing and clap their hands every time 😉

Daonet means Damned in English. Why did you choose that name for the band?

We are from the town of Nantes = Naoned in Breton language and there is an expression from Brittany “Mont da Naoned da c’hortoz bezan daonet” = going to Nantes waiting being damned, an expression referring to people from west part of Brittany who had to go to Nantes to get a job in the 19th century. The 12th track of Donemat album, “Mont da Naoned” is a folk-rock style song based on this expression with a parallel on  nowadays people who have to migrate to find a job … Paris or elsewhere on the planet …

 How about giving us a brief background of each band member?

Gwendal founded the band in 2000. He is an electric and acoustic guitarist. He also sings, and plays tin whistle. He writes lyrics mainly in Breton or in French.

I (Gilles) have joined the band in 2002. I play bass guitar, upright bass, synth guitar, and I also sing.

I’ve played in the late 80’s and early 90’s in a Celtic rock band from Vannes called Tan Flam. I’ve also played, wrote and sung in rock, rock’n roll, blues-rock bands  ….for example Bogzh ! with Hervé on drums …

Hervé has joined Daonet in 2006,  he plays drums, derbouka, djembe, cajon etc. He played in different music styles band before Daonet : rock, punk-rock, blues-rock …

 What can we expect from the band this year?

We have recorded “Donemat” with guests’ participation on violin (Frédéric Bouley) and bombarde (Olivier Arz). We have played some concerts with Olivier. We also played in acoustic configuration (acoustic guitars, upright bass, cajon and voices). These different configurations may be developed in the future for live and recording events …

Booking / tour +33 628 362 994

 Where can listeners purchase their copies of Daonet CDs and mp3s?

The latest album “Donemat” is distributed by Coop Breizh, so dealers may have access to this record. It is also available on Daonet’s website as the previous CD “Rok a raok”, the different albums are also available in numeric version on .

Donemat is also available in MP3 on itunes, Amazon platforms … It is also possible to discover the album through Deezer, spotify …

What are the festivals around France that you guys have been to?And what  memorable things  happened during these shows? 

We played for the “Festival des filets bleus” in Concarneau (Brittany) 1 year ago opening for Gilles Servat with 10 000 people attending, we were announced as the “coup de coeur” of the festival… It was great. We’ve also played for “Celtival on the rock” in Guemene-Penfao with Dom Duff and Muray Head, for Festival des nuits salines in Batz-sur-mer …

It is not a festival, but a fest like the St Patrick fest for Ireland, in Brittany around the St Yves day / Gouël Erwann may 19th there is Brittany Fest organized since several years and promoted by Brittany region, we play during this period in different contexts. We played for example, few years ago in Rennes with traditional music bands, “Les Ramoneurs de menhirs” with their special recipe mixing traditionnal music and punk music and also a punk-metal-fusion band singing in Breton … This year we played for one of this concerts for the Brittany Fest in Nantes for or the first Breton language fest in Loire Atlantique. We are also asked for playing every year for the St Patrick day with Irish music bands (traditional or rock bands). We also play sometimes our music in concerts with no Celtic, or folk theme, with rock, blues-rock, punk bands etc. for concerts organized by bikers that sometimes are a little afraid of songs in Breton but when we ask if they understand the lyrics of English singing bands this stops their fear and they often recognize that  even some French  singing bands are not so easy to understand ;-).

Tell us about making the album Donemat. How do you gather materials etc. Can you tell us the procedure down to the final mixing?

Most of the songs were played on stage several years before they were recorded but in the beginning of the new record project, we’ve selected the songs (with 2 traditional songs “marv pontkalleg” and the Brittany anthem “Bro gozh ma zadoù”) and we stopped playing others songs, new songs replacing the previous ones. We worked the titles adopted in studio versions exclusively with the strict tempo of a metronome on every rehearsal during at least one year. We recorded with Arthur Lauth, who manages when this is possible our sound on stage, in a one day captation + mix, a pre-production recording of the 12 titles. With this pre-production CD, we met several sound engineers to find the studio allowing us to get the recording we were expecting with an agenda matching ours ;-).

At this point of the project, we had the agreement of Coop Breizh for the distribution of our album in France. We also had a contact with a painter / illustrator Brucéro to order him a drawing for the CD.

We chose to work with a brand new studio : Woodbox Studio near Nantes – managed by Jeff Ferrand that worked before in others studios.

We began the recording in the end of may 2011 with drums and bass tracks (electric basses and fretless bass) in 2 week-ends.

Followed later by Gwendal during a week electric and acoustic guitars parts, a keyboard track on the slow song, tin whistle, and we recorded voices.

Two guests recorded after then theirs parts in other sessions :

– Olivier Arz (we played together in Tan Flam group long time ago) played bombarde on three tracks, we worked together for several rehearsals with Olivier with the complete band, or with guitar, bass and tin whistle/ bombarde.

– Frédéric Bouley who plays violin in numerous bands (Breton, Irish music) recorded on the song “Mont da Naoned”, we worked with him and Gwendal in rehearsal (acoustic guitar, upright bass, violin), and with a first mix of the tracks already recorded of this title.

We finished the choirs, Hervé recorded Derbouka and Djembe, I recorded upright bass licks with the bow on “Mont da Naoned”, synth guitar on “Marv Pontkalleg” intro and my rhythm and chorus guitar parts on O’Surfin …

Jeff did the mix with some adjustments after listen sessions with the band. We defined the final order for the titles and then the mastering process was done in a specialized company.

My brother Lionel took pictures of the band for the CD and newspapers, he also did the graphics of the Digipack including the booklet with lyrics etc. with the character Brucéro drew for us.

The CD was then manufactured in the first week of January 2012 and sent to stores in February by Coop Breizh, we also sent CD to fans who pre-ordered and organized a concert in Nantes to invite fans for this disc availability.

Do you think Celtic Breton is stronger now than before?

I suppose that you ask the question of Breton music . Is it stronger ? It is always present. In Brittany there are many bands playing traditional music : bagadoù created on the model of pipe bands. There are fest-noz bands (fest noz can be translated in night fest) and they play music to make people dance traditional Breton dances. They are very active. There are also Celtic rock bands and some Breton rock bands. They play songs written in Breton, in Gallo with or without traditional, Breton or Celtic music influences. The success of Celtic music and of Breton music for masses is cyclic in France. Alan Stivell, Tri Yann, Soldat Louis, Manau (Celtic rap), Armens, Dan Ar Braz, Matmatah (their first album), Merzhin etc. had a very good success in some periods, Nolwenn Leroy with her cover album of best of traditional songs in Breton had been a big success recently.

The scene for Celtic music and Breton music is always present here, especially in Brittany, where the festivals are very popular and numerous (Festival interceltique de Lorient, Nuits salines in Batz sur Mer, Filets bleus in Concarneau, Festival de Cornouaille etc. In the Festival des Vieilles Charrues in Carhaix-Plouguer  it is much more rock and pop oriented,  but a stage is reserved for Breton music). But bands playing Breton music are not only present in Brittany. In every region of France there are Breton associations including a bagad, a “cercle celtique” (breton dance group) promoting Breton music and Breton learning in the region where they live. There are also Celtic rock, folk-rock bands in the different regions playing Breton, Celtic inspired music…

A band like Daonet mostly plays rock sung in Breton language to promote its use, its learn that was in the past reduced in use by the action of France (interdiction in French schools).

Daonet band is based in Nantes, a town that officially is not a part of administrative region Bretagne, the department of Loire Atlantique was in fact removed from the historic Brittany to create an artificial region called “Pays de la Loire”. Numerous songs of Daonet are based on Brittany and Nantes history, and the use of Breton language for a band from Nantes in this context is of course a  symbol. Others bands from Nantes that don’t still exist played Breton rock sung in Breton, EV and Tri Bleiz Die for example, (EV guitarist-singer Gweltaz ADEUX plays now pop-rock songs in Breton), the band Tri Yann that exists since the 70’s, plays Breton and Celtic music with some songs in Breton language is also based in Nantes.


Featured Video: Lúnasa”The Merry Sisters of Fate”

Called “the hottest Irish acoustic band on the planet” by the Irish Times, Lúnasa performs live from the intimate confines of The Burren Irish Pub in Somerville, Massachusetts. Named for an ancient Celtic harvest festival in honor of the Irish god Lugh, patron of the arts, Lúnasa is made up of some of the top musical talents in Ireland. The current lineup includes:

Seán Smyth — Fiddle, Whistles
Kevin Crawford — Flutes, Whistles
Trevor Hutchinson — Double Bass
Cillian Vallely – Uillean pipes, Whistles
Ed Boyd – Guitar

The Burren Backroom Series is hosted by Brian O’Donovan of A Celtic Sojourn on WGBH Radio.

Subscribe to our YouTube Channel WGBH Music:

Audio Engineer: Antonio Oliart
Camera/Editing: Greg Shea
Camera: Annie Shreffler
Producer/Host: Brian O’Donovan

My big thanks to Greg Shea for this one.


New Releases:

Slim’s forthcoming LP, ‘Gallows Tree Tales’, is a barn-storming folk-rock romp through tales of love, loss, booze, laughter and madness. With big productions, there’s everything from americana rock, celtic folk, country balladeering, and even a gospel choir thrown in for good measure. Once the record’s released, you’ll be able to buy it here, and there’ll be a full band tour, gigs-aplenty, and of course, a fair few ‘Gallows Tree Tales’ to tell. Get it here:


Michelle Mulcahy, Suaimhneas (Cló Iar-Chonnacht)

Read the wonderful review here:


The Celtic Harp  By Eliseo Mauas Pinto

“The Celtic Harp” is a very interesting quick guide not only approaching to questions regarding the origins of its name, its history and revival, but also to the surviving types, suggested Celtic Harpists, and a list of related external links.


Yn Chruinnaght’s CD ‘The Gathering’

Yn Chruinnaght’s CD ‘The Gathering’ is an exciting collection of Celtic music featuring twelve tracks donated by artists who have played at the festival over the years. The Gathering CD will raise vital funds for future events.

Those involved in the Manx music festival Yn Chruinnaght took a bold step with The Gathering. It is a compilation CD with 12 songs. These tracks were carefully selected and they all represent what is good, new and beautiful about the Yn Chruinnaght festival in the Isle of Man. Yn Chruinnaght (which also stands for the English word The Gathering)  was made up of tracks kindly donated by various artists who joined the festival throughout the years.

I have to be honest, it is hard to choose which is the best track. The Gathering is a CD that boasts wonderful tracks from bands that have been part of the festival through the years. From the enchanting hammer dulcimer of Cornish band Leski, to the perky accordion of Jamie Smith’s Mabon; everything in this album shines and enriches the soul.

The tracks and artists are:

Three spires/Tregajorran furry – Leski (Cornwall) Hammer dulcimer along with irresistible rhythm makes this the best choice as an opening track. Everything about Leski celebrates the beauty of Cornish music.

Ah, que les femmes y sont betes d’obeir a leur mari – Trio Froger (Brittany) The tempo represents Breton dances. A trio of accordion, fiddle and lead vocals.

Our ship did sail/If young men could swim – Sheear (Isle of Man) Meaning ‘West’, Sheear is an all girl band made up of musicians and singers who come together in between playing in other bands. Whistles, fiddles, piano, flute and vocals make this track a magical listening experience.

Mae gen i fuwch – Never Mind The Bocs (Wales) The great thing about the Celtic language is that you don’t have to understand it, to appreciate the sound it makes. Such is the case of this Welsh track from this five-piece band. From Cajun to ceilidhs, via Blues and folk-rock, the contemporary approach of Never Mind The Bocs will charm lovers of Dougie McLean and Planxty.

Just for Sean – Leo McCann (Scotland) What he can do with button box and tin whistle will find you tapping your feet and rocking your body. Leo has recorded over twenty albums. This track is an example of his fine musicianship distilled through years of playing in his own solo albums as well as other bands. Hands down! This is one of the great trad music I heard in ages.

In with the bricks – Pipedown (Scotland) I wrote about them in my previous article and hearing this track proves my point that they are a force in the Scottish folk scene. In With the Bricks applies the skillful ease of poly-rhythms and the mellifluous sound of the small pipes.

Kishtey ny yindyssyn – Staa (Isle of Man) A little bit on the groovy side with the infusion of reggae, bossa and vocal harmonies reminiscent of The Beach Boys, Staa will warm you to their music right away.

Sumach – Scoot (Cornwall) Trad driven with hints of jazz and funk this Cornish band will enchant lovers of traditional Irish and Scottish music. The undeniable command of skill and technique are displayed in this wonderful track which is a duet between acoustic guitar and flute.

Bonny broom – Imrama (Ireland) After thirteen years of playing, this track shows the refinement of this band. Influences of Planxty, Sweeney’s Men, The Bothy Band, and Steeleye Span are evident in their recordings.

Kilmartin sky – Rachel Hair (Scotland) I became a fan of her music and I wrote about her band in my previous post. Rachel is the best Scotland has to offer in terms of harp playing. Delicate and haunting, this track celebrates the power of Celtic music through nuance and grace. A truly enriching and perky listening experience that made me tap my foot as the track gathers rhythm when it reaches the middle part.

Derriere chez moi, ‘y a un etang – Chal ha Dichal, with vocals by Lors Landat (Brittany); The reason why I am crazy about Breton music is because of the energy and passion all Breton performers give when they sing or record albums. This track shines with so much positive energy that I end up smiling after.

Fiddler’s despair – Jamie Smith’s Mabon (Wales) Well, introduction is not needed when you talk about this band. Energy and skill are consistent with their every track. Despite the title, Fiddler’s despair is a joy to listen to.

I think everyone who loves Celtic music should get this album. It only features the best and the brightest from the Celtic nations. The album features a beautiful photo by Dimitar Pentchev with a nice album artwork by Adam Rhodes. It also boasts an informative liner notes. I think liner notes are very important. Dave Rowles made a great arrangement in this compilation CD.

Special thanks to Laura Rowles for this wonderful treat.

You can buy the CD here:

Yn Chruinnaght Inter-Celtic Festival – 14-21 July 2012

2012 marks the 25th anniversary of the death of Mona Douglas, the founder of Yn Chruinnaght Inter-Celtic Festival. Throughout her life Douglas was passionate about promoting and supporting Celtic culture, and she was respected throughout the Celtic world for this. Douglas had a vision of a Manx national festival, and this resulted in Yn Chruinnaght being started in 1977. However, unfortunately she did not live long enough to appreciate the huge success of her legacy.
Yn Chruinnaght aims to foster cultural relations between the Celtic nations, whilst also working to promote Manx culture, both on the Island and further abroad. The festival features performers from all of the Celtic countries in various venues throughout the Island. As well as music and dance performances, the festival also includes language events, lectures, workshops, art exhibitions, and fantastic sessions.
This year promises to be a particularly exciting festival, with the line-up so far including Scottish fiddle supergroup, Blazin’ Fiddles, mighty Breton band, Forzh Penaos, progressive Cornish group, Pentorr, and the extremely talented Rua Macmillan Trio. Manx bands that will be appearing include new Manx trio, Barrule, Strengyn, and Nish as Rish, who had the honour of winning the Trophée Loïc Raison at Lorient festival last year.
The festival offers much to keep visitors occupied throughout the week; however, there is still plenty of time to explore the beautiful Island. The Isle of Man boasts fantastic beaches, striking mountains, and picturesque glens, and has attractions to suit everyone.
For more information on the festival, see or email
For more information about the Isle of Man, see

Gwennyn: Silky Breton Music

For Gwennyn, the adventure began in 2000 when she took her first steps in music with Alan Stivell on his album “Back to Breizh“, then got invited to festivals of Old plows Carhaix and Fallen of the night in Rennes .-Artist bio.

Somewhere in Brittany, a very stylish Celtic singer Gwennyn continues to hone her artistry. There is this balance between ambient and folk rock style. The   maritime and urban appeal of her music makes her accessible to both the older and younger demographics. Her voice is like the whisper of seashells over sand dunes. The sloshing of her olive flavored melodies washes over like the frothy tides against tired feet. Something I need after a long day.

After five songs and several videos she won me over. It’s like nothing  could ever go wrong  when I listen to her songs. They are filled with sweetness and radiance. To top it off, her charismatic personality makes her a sorceress that drives her audience to aural frenzy.

The new album is called Kan An Tevenn

In a pop rock style Celtic Gwennyn takes us on an imaginary journey to the peoples of the dunes … Buoyed by the artistic direction of Patrice Marzin, this album offers a sublime setting for voice and clear air Gwennyn, where new music, beautiful melodies and contributions of famous French-speaking authors like Gerard Manset, are heavily loaded.It rocks!
Patrice Marzin: guitars (HF Thiéfaine, Calvin Russell, Gerard Manset)
Kevin Camus: uilleann pipes (piper of N. Le Roy)
Jean-Luc Aime: Programming (Elisa Vellia, Stabat Stable)
Patrick Boileau battery (G. Servat)




Myspace music: