Baal Tinne: The Haunting

Baal Tinne The Haunting

Band: Baal Tinne

Album: The Haunting

Musicians in the album:

Noel Rice

Cathleen Rice-Halliburton

Matt Sundstrom

Paul Cienniwa

Year of release: 1994

Style: Contemporary instrumental/New Age/Traditional Irish

Tracks:

1. The Long Note / One Horned Sheep
2. The Dawn / Morning Dew / Speed the Plough
3. Gan Anim
4. The Thatchers Are Here / Old Joe’s Jig / Allistrum’s March
5. Toss the Feathers / Jenny’s Chickens
6. The Haunting
7. Waves / Farewell To Connaught / McFadden’s Handsome Daughter
8. The Providence Reel / The Month of January
9. Limericks Lamentation / Daddy When You Die / The Merry Blacksmith
10. Killarney Boys of Pleasure / The Fyket

From the start of the thundering crystal clear piano of Paul Cienniwa, Baal Tinne aims to do what every musicians want: to transport the listeners into another world where the note is king. The haunting flute of Noel Rice takes us back into the times when New Age music was new and everyone was captivated. The fiddling of Cathleen Rice creates a balance between Traditional Irish and avant-garde instrumental music. And yes, Matt Sundstrom contributes a folk vibe into The Haunting which thanks to Ceolwind Productions, this is my introduction into the quintet’s music.

The group’s name suggests the relationship to Celtic celebration especially the feast of fires which is celebrated during the month of May. The atmosphere of the entire album is that of the changing of the mood brought about by the seasons. The tracks shimmer with authenticity and magic. For a truly stunning listening experience, I suggest the use of headphones. There is something intimate about The Haunting that makes you turn the lights off and light candles.

I miss this sound because it reminds me of groups like Nightnoise and The Secret Garden. Back in the days when Celtic music was not just about technical skills, energy and tradition but also the beauty of the moods and atmosphere that musicians brought to the music.  The classical and jazz influences are undeniable which can be found in tracks like The Long Note, The Dawn, Gab Ainm, The Haunting and Waves. Killarney Boys of Pleasure showcases the group’s love for folk and traditional tunes. I love their interpretation of Toss the Feathers because of the arrangement and the clarity of each instrument.

Don’t miss the hymn like Limerick’s Lamentation which I think is one of the most memorable and tunes in The Haunting. Take note of the low pizzicato when the tune starts to catch tempo at 2:30.

Remember that this is their early album. The group has undergone changes. To see the current lineup please visit: http://www.baaltinne.com/

You can buy The Haunting from Amazon: http://www.amazon.com/The-Haunting/dp/B001F6L3HM

and itunes: https://itunes.apple.com/us/album/the-haunting/id289197433

Baal Tinne at Milwaukee Irish Fest 2009

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6 thoughts on “Baal Tinne: The Haunting

  1. And I had no gray hair. Honestly, the only “changes” to speak of are in the piano department, as Paul has been a very successful musician in his own right in and around Boston and Providence. Richard Roche, is the new guy, having been with the group seventeen years now, if my math is correct. There have been additions though, Kiera and Catriona Byrne on cello and fiddle. One of the best compliments about the band for me have been when someone comes up and talks, and mentions that the sound on stage is just like on the album.

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